Book Review: The Perveen Mistry series by Sujata Massey

I love a good crime novel and throw in the setting of India under British rule and I just can’t help myself. That’s probably why I love this new series by Sujata Massey. Her sleuth is Bombay solicitor, Perveen Mistry, the only female lawyer in town – this is the 1920s, after all. She works for her father, has put a terrible marriage behind her and just wants to get on with her career.

The first book, A Murder at Malabar Hill, sees Perveen get involved with three widows of a wealthy mill owner whose estate is being managed by an employee from the firm. Studying the documents which show the women have signed over their inheritance to a trust, Perveen smells a rat, and decides to talk to the widows in person. That’s the advantage of being a female lawyer – the women live in strict seclusion, a male lawyer would never be admitted. Tensions mount as Perveen learns more about the family, and then a murder takes place.

Perveen’s snooping is interrupted by fears for her safety when she thinks she recognises her estranged husband all the way from Calcutta. The story of her ill-fated marriage is woven through the main plot in flashbacks with some resonances with the main story, both revealing the difficulties for women living in very traditional family settings. It’s just as well Perveen’s own family – her parents, brother and sister-in-law, are more forward thinking and loving.

Along for the ride is Perveen’s old friend from her Oxford days, Alice Hobson-Jones, bored and restless to use her fierce mathematical brain now she’s back home with her well-healed parents. Her mother’s keen to see her daughter settle down with a suitable husband, as if that’s ever going to happen. Another woman eager to shape her destiny in a society that would rather she didn’t.

Massey recreates 1920s Bombay with lots of colour, some wonderful meal descriptions, and interesting characters. Perveen is feisty when she needs to be and also has a good memory when it comes to the law – the reader gets lots of insight into the relevant legislature without being too bogged down in details. You get the sense that the author has done her homework. I loved the minor characters: the Mistry’s general factotum, Mustafa who keeps Perveen up to speed with her father’s moods is a particular gem, as is Alice – tall and fair, she’s a head taller than Perveen but a brilliant friend.

This book won an Agatha Award and the Mary Higgins Clark Award, which is why I wanted to read it after having just devoured the second book in the series: The Satapur Moonstone. Yes, again I read the books in the wrong order, but at least now I’m all square. The second book sends Perveen to the remote state of Satapur, home to the widow of a maharaja and her mother-in-law, the dowager maharani. The two women are in dispute over the education of the young prince and future maharaja, and a lawyer is required to sort out an agreeable solution.

The women live in purdah, so no men are admitted and Perveen is requested by the British agent overseeing their kingdom. Perveen must travel by palanquin, a kind of sedan chair arrangement, through forests inhabited by tigers and other deadly animals to the palace. Here she finds a royal family living under a curse not long after the deaths of both the last maharaja of cholera, and his eldest son to a hunting tragedy.

We’re in monsoon country, transport is difficult and news travels slowly. The local villagers live a traditional and fairly impoverished existence, while up at the palace, we’ve got power plays, secrets and treachery while the uncomfortable political situation brought about by British rule rears its ugly head from time to time. Tension of various kinds build to a ripping ending. This a terrific addition to the series, and some unfinished business for Perveen makes me eager for Book 3.

Book Review: Better Luck Next Time by Kate Hilton

Canadian author, Kate Hilton describes her latest novel as a divorce comedy, although there’s a wedding as well, and a treasure trove of family secrets. In the opening pages, Zoe is not looking forward to Christmas, as she is reluctant to reveal that she is getting a divorce. Christmas is tense enough, without dropping that bombshell.

Along with Zoe’s parents, who are hosting the festive meal, plus her brother Zack, we meet Zoe’s uncle and feminist icon Aunt Lydia, and Lydia’s daughters and grandchildren. Zack has won fame and fortune writing a TV sitcom loosely based on the lives of his famous aunt and her family, for which he has never been quite forgiven.

Lydia’s daughter, Beata, is particularly bitter about it, but she has enough to deal with with her teenage son, Oscar, discovering that he wasn’t the product of a sperm-bank after all and has already made contact with his father. Enter, Will, an old pal of Zoe’s from her university days, and also a colleague of Beata’s partner, Eloise. Eloise just happens to be the lawyer handling Zoe’s divorce.

Meanwhile, still on Christmas day, things are obviously not going well in Zoe’s cousin Mariana’s marriage to shiftless but charming Devlin. Things reach a crunch when Mariana snatches up Devlin’s phone and smashes it to bits in the kitchen.

Hilton gets her book off to a flying start, with so much going on with in the lives of Zoe, Mariana and Beata. They’re all great characters – engaging and interesting – while the impossibly high bar set by Aunt Lydia for the younger women in her family hovers in the background. No wonder they keep secrets from each other – secrets, which are due to all come out sooner or later.

The book reminded me a little of Emma Hope’s Expectation, in that we have the same well-meaning pressure from an older generation of feminist women on their daughters whose lives haven’t quite turned out as they’d planned. In Better Luck Next Time, we are reminded how hard it can be for women to ‘do it all’ – manage children, careers, marriage and be true to themselves. Mariana is a journalist who has had to sacrifice writing the important political stories she’s so good at so she can support her family. She ends up writing publicity for a ‘wellness’ company, an industry Hilton sends up beautifully.

There are plenty of amusing scenes, including a feminist rally that turns nasty and a bridal shower which makes you wonder why anyone would ever get married. The book gallops towards another, somewhat, happier Christmas, an ending where its characters have learned a lot about life, love and themselves. This is a funny yet thoughtful novel, with characters you really warm to and plenty of digs at the fads and obsessions of modern life. Just what you want in a comedy for our times. A four star read from me.

Book Review: A Theatre for Dreamers by Polly Samson

Escaping to a Greek Island where you can live cheaply for a year just so you can focus on your art, bask in the sun, swim and enjoy the delights of love, food and wine – what an idyll. Hydra in 1960 was just such an island, captured here in A Theatre for Dreamers by Polly Samson. Australian writers Charmian Clift and George Johnston are established on Hydra and help out newly arrived artists eager to take a break from the rat-race to finish their novels, paint or create poetry.

It is where eighteen-year-old Erika holes up, still grieving the death of her mother and escaping a volatile father, London rain and the typing pool. With her is her boyfriend, emerging poet Jimmy, and brother Bobby and his girlfriend. There’s a connection with Charmian through Erika’s mother, and an expectation they can find a cheap house.

Madly in love, Erika doesn’t mind doing the donkey work – making sure they have clean water, meals and fetching ice to keep their food fresh. Charmian takes pity on her and encourages her to write – she sees in Erika a daughter figure, but also the watchfulness of a budding writer.

And there’s plenty to see – in particular the twenty-five-year-old Leonard Cohen, fresh off the boat with his guitar, eager to finish his first novel. But he’s distracted by Scandinavian beauty, Marianne Ihlen who is caught in a disastrous marriage with Axel Jansen, himself an enfant terrible of the literary world in Norway.

As well as a hub for expats coming and going, Charmian and George’s house becomes a second home to Erika. But the pair have financial problems, drink too much and argue a lot, George has poor health and issues with jealousy. Ah, the lives of the bohemians. Shaking off conformity and the rules of the nine-to-five working life, this enclave of creatives explore many new freedoms, break each other’s hearts and live like characters from bacchanalian scenes on a Grecian urn.

Samson has done a mound of research to bring these artists to life, helped no doubt by the records made not only in their writing, but in the pictures of Time-Life photographer, James Burke. The novel is in many ways a social history, highlighting the emergence of the counter-culture era that would turn into the swinging sixties, but also the feminism that waits in the wings.

And boy is it needed as several key female characters are left holding the baby, wiping the weary brows of their men, playing muse and ignoring their own careers. There is a lot in the book to think about as you read about the endless parties, the infidelities and drunken escapades. In the background the conservative local Greek population must have been pleased with the extra business garnered at the time the sponge industry was drying up, while shaking their heads at the various improprieties.

There are a lot of names – you might want to keep the Internet handy. I struggled to keep up with the different personalities that swept through. But I felt a strong sense of being there; Samson describes the island using all five senses and this alone makes the book really quite wonderful. A four out of five read from me.