
This novel was long-listed for a Historical Dagger Award, so I had high hopes for an intelligent mystery. The Undoing of Violet Claybourne is more psychological thriller than mystery and built a well-sustained creeping sense of dread, for this reader anyway.
Most of the novel takes place over the 1938 Christmas holidays when Gillian is invited by new school friend Violet to her family’s crumbling mansion, Thornleigh Hall. Gillian’s mother died when she was born, and her diplomat father in Egypt has remarried and now has a young son, leaving Gillian’s care to a penny-pinching aunt.
Gillian is delighted to be staying with a proper family, and one with good connections at that. Violet is a little childish to Gillian’s mind, still playing imaginary games, and with strange rituals – her “undoings” – which the modern reader will flag as an obsessive-compulsive disorder. But Violet is also affectionate, exuberant and kind.
Violet’s parents aren’t quite what Gillian might have hoped for. Her father is war-damaged and vague, her mother a vain and snooty woman who doesn’t believe in education for girls, but Gillian is soon swept away by Violet’s glamorous older sisters. Only Laura drinks too much and is unstable, while Emmeline, a student of psychology, is calculating and manipulative. Ignoring her school friend, Gillian attaches herself to the older girls with disastrous results.
There are secrets which slowly leak out during Gillian’s visit. Why is Emmeline so mean to Violet? What happened with the tutor who left in a hurry? There’s also a poacher who Flora’s father is oddly tolerant of and who lives on the estate. Then there’s the small boy Robin, also tolerated, the child of one of the maids. This family seems somewhat benighted, so when disasters happen, I wasn’t in the least surprised. Much of what goes wrong seems to come from their general sense of superiority, and the necessity of keeping up appearances.
When I think of the Christmas of 1938, what comes to mind is the sound of the dinner gong, the shine of the silverware, the rustle of Emmeline’s dress as she swept up the central staircase. Jazz music drifting through the drafty, shut-up rooms, scarlet-clad figures galloping across the snowy fields, and Violet sprawled star-shaped across her bed. “How good it is to be home, Gilly.”
But these are nothing more than scrambled snapshots, a slideshow of disordered images on a fuzzy projector screen. If I am to remember, to truly remember, I must go back to the very beginning.
There’s a Boxing Day hunt, then a ball, as things go from bad to worse, and by the end of the Christmas break, I was relieved when Gillian’s story is rescued by the start of a new term and then the the war. Gillian throws in school for London and gets stuck into the war effort, a chance to forget about everything that happened at Thornleigh Hall. Her story is bookended by glimpses of Gillian in her seventies as the past comes back to her and she finds out what has happened to Violet and her family.
This a nicely paced story, the secrets revealed at just the right intervals, and the writing and characterisation both excellent. I was reminded a little of The Go-Between by L P Hartley as well as Nancy Mitford’s novels, with this book’s exploration of a dying way of life and how secrets can tear a family apart. The audiobook edition was excellent too, read by Nathalie Buscombe. All in all, it’s a four-star read from me.








