For a novel on the Booker long-list, this is a very easy book to slip into. The story is set in the mid 1990s and is told from the point of view of Tom Kettle, a recently retired Dublin policeman. As a character he suffers more from aloneness than loneliness, as Tom’s family of ghosts are ever present, in his thoughts and more.
Tom lives simply, recently taking a flat that’s an annex to a castle, also divided into flats, by the sea. It sounds idyllic, and indeed his first visitors comment on it. It’s a February evening when two policeman from his old station knock on his door. They bring with them documents about an old case that Tom had handled, in fact had put his heart and soul into, only for the commissioner to call an end to taking it further.
Tom can’t bare to look inside the folder, but instead insists his visitors, Detectives Wilson and O’Casey stay to eat with him. All he can offer is rarebit made from cheese singles, and hauls out his daughter’s air-bed and blankets. It is too dreadful a night to send them out to catch the bus back to the town. It’s a fairly light scene with pockets of humour, O’Casey’s digestion not best pleased by the rarebit and Tom can only imagine how uncomfortable his visitors must be bedding down in his living room
But underneath is a storm of feeling that will gnaw at Tom and slowly his story and that of his late wife June and their children will emerge. And what a sad tale it is. Tom and June were both brought up in church run orphanages where predatory priests made use of small children. And it is just such a case that Tom has to relive for his old colleagues. He can never reveal how personal the case it is and so it festers.
There’s literally a Chekov’s gun in the story too. Tom was a sniper in Malaya before his stint in the police, which gives you a hint at what he’s capable of. So while the story seems to have a gentle flow about it, and a very Irish narrative style which is descriptive, lyrical and ambling, there’s a spring-loaded tension and a kind of inevitability here as the story draws to its conclusion.
And all soundlessly, with an almost comic fall, the poor creature would go down, hardly bothering the earth, Tom’s aim so good they called him Beady-Eye as a happy nickname. Beady-Eye Kettle. A talent that rescued him in his own country, the mercy of being allowed into the police. Oh yes. Killing rebels gave him his Irish life, away from the shame and shambles of his childhood.
What I particularly liked about the book was the character of Tom, who seems just so ordinary, with his little routines. His trips to the shops, his buying an ice cream cone, his carting home a bag of sausages and potatoes. But simmering beneath, we can’t help wonder, as Tom does, about the state of his mind, haunted as he is by the past and those he’s lost. It’s difficult to tell what is real at times as we are so much inside Tom’s head.
For such a tragic story, and there really is no other word for it, Old God’s Time is immensely readable, the writing is exquisite and then there’s that sympathy you have for Tom. As a character, Tom is so well understood by the author, his narrative voice seems so true. The pacing is perfect – as I said at the beginning, you are so easily drawn into the story, and Barry doesn’t put a foot wrong. Though it’s not the sort of book you should read if you need cheering up. But I can see why it’s on the Booker long-list, so it’s an easy five out of five stars from me.