The Arrangement follows the lives of happily married but struggling Owen and Lucy, two New Yorkers who have moved out of the city to small-town Beekman. Here they have become ensconced in the local community – helping out at the school, fundraising, barbecues with friends, and gossip. They have a son, Wyatt, who’s on the autistic spectrum and that means Lucy is always tired and it’s hard to find a caregiver for a bit of respite.
When friends over for dinner, and quite a bit of wine, reveal they are planning an open marriage, Owen and Lucy balk at the thought. Somehow the idea festers and the couple agree to give the concept a trial of six months. Something to nip any wandering thoughts in the bud and make them a stronger, happier couple, right? What could possibly go wrong?
Here’s what I liked about the book:
- The novel is very funny. It captures all the silliness of modern life – the keeping up with the Joneses, the guilt trips over daft things, the pretensions and fads.
- The characters of Owen and Lucy are very believable and likeable. Their relationship seems strong. But the result of the ‘arrangement’ is that Owen behaves like a young bloke having a final fling/s while Lucy runs the risk of falling in love with someone else. Well, what do you know?
- There are some very funny supporting characters: Izzy, Owen’s bat-shit crazy girlfriend who becomes more and more demanding; Sunny Bang, Lucy’s tell-it-like-is Korean friend who finds Lucy a ‘partner’; the billionaire with the trophy wife who forgot to have her sign a pre-nup; the hefty beekeeper who sat on a small dog while on a date – an event which caused him to vanish and change his life entirely.
- There are some hilarious scenes: such as when Owen is caught depositing Izzy’s used plastic bags at the supermarket recycling bin by a sanctimonious neighbour and has to pretend they are his; a blessing of the animals at church when a dog monsters one of Wyatt’s chickens and the llamas bolt into the churchyard.
- The natural dialogue and its snappy New York ring.
“I think it’s a huge myth that women can’t have meaningless sex,” said Victoria. “You should see these millennials in my office. All they do is have sex, all the time. The girls, the guys. They’re not worried about getting AIDS or getting pregnant or being called a slut. They’re all vociferously opposed to slut-shaming in any form.”
“Slut-shaming?” Owen asked, rotating the cheese plate and slicing off a hunk of Jasper Hill cheddar.
“Yeah,” said Victoria. “It’s a thing.”
- The reader Ellen Archer has done an amazing job of giving life to all the characters and making them sound different without sounding ridiculous. Men and women alike. I really loved her Sunny Bang. I am not sure I would have enjoyed the novel nearly so much if it wasn’t for Archer’s performance. I imagine if I read the book in print form, I would be looking at a three-star read, maybe three-and-a-half; as an audio-book, it happily earns an extra star. Another reason to give audiobooks a go.
As I continue to read Kate Atkinson’s popular series, I ponder if any of the books can be as good as the first one – Case Histories.
One Good Turn is next, a hundred pages longer than Case Histories, with a shift in setting from Cambridge to Edinburgh. Jackson is here for the arts festival. Girlfriend Julia (yes, that Julia) is in a play, otherwise Jackson would be somewhere else – anywhere else probably, arts festivals not really being his thing. He witnesses an extreme case of road rage, and on a visit to an island, finds the body of a young woman, whom he can’t quite save from the tide. He reports his findings to the police but they think he imagined it all. Jackson seems to be constantly getting into trouble one way or another. We also meet Edinburgh detective Louise Monroe, who is really more Jackson’s type than Julia.
The story switches to follow Martin Canning, an unassuming period-mystery writer, another witness to the road rage incident. Here, in a rare moment of bravery, Martin intervenes against a madman with a baseball bat. He becomes caught up in the lives of victim and attacker in ways he never expected.
And then there’s Gloria, whose dodgy businessman husband has had a major coronary while in bed with a Russian prostitute. Young Russian women feature in all the story threads, one way or another, and the eventual connection between these threads is appropriately symbolised by the recurring image of Russian dolls.
One Good Turn is another terrific read, with a clever and complex storyline. As always Atkinson deserves a medal for characterisation and snappy dialogue, while the plot is pacy enough, once you get used to the constantly shifting narrative points of view. As you might expect, there are plenty of twists with a stunning surprise saved for the last page. Not quite as enjoyable as the knock-out Case Histories but still a respectable four out of five from me.
You may remember Crooked Heart, Evans’s novel set during World War II about a middle-aged grifter on hard times and Noel, her young evacuee. The story provides an original view of wartime life, smart and witty with some brilliant characters. Among them is Mattie, Noel’s godmother who makes a brief but memorable appearance at the start of the book. So memorable in fact, that Evans has devoted a new book to her: Old Baggage.
The story takes place in 1928 as the suffragette movement finally sees franchise for women on equal terms with men. (When women got the vote in 1918, it was for property-owning women over thirty only). Mattie Simpkin is a former suffragette in her late fifties, who with old campaign chum Florrie, puts on talks about the battle for the vote and holds forth to anyone who pauses to listen. Ever the campaigner, the story concerns Mattie’s discovery that there’s no point giving women the vote if they have no knowledge of politics, history or the world at large. She starts a group for young girls called the Amazons who learn vigorous activities on Hampstead Heath (javelin throwing, slingshots and archery) as well as taking educational excursions, camping out and debating. Continue reading “Quick Review: Old Baggage by Lissa Evans”
When my aunt died and we all met back at her house following the memorial service, of course, I prowled her bookshelves. She had quite a collection, having been for many years a speech and remedial reading teacher. In her living room were all the classics, in smart hard-cover editions, and I have no doubt she’d read them all, often. But in her bedroom was a whole shelf of Nora Roberts and another of Katie Fforde.
Now I have never been able to get into Nora Roberts, even if she is one of the world’s best selling authors. But the Katie Ffordes looked inviting with their pretty covers and whimsical titles so I always meant to read one.
Recently I picked up Artistic Licence, which is about thirty-something Thea, a former photo-journalist. A bad experience with her ex had sent her off to the Cotswolds, where she finds a part-time job in a one-hour photo shop and takes in student lodgers. She’s in a bit of a rut, when Molly, her bossy friend, whisks her off on an artists’ retreat in Provence where she meets gorgeous young painter, Rory. Continue reading “Book Review: Artistic Licence by Katie Fforde”
When I went on holiday recently, I packed an assortment of books knowing I would have a few quiet hours away from the Internet and Netflix. I usually like to include an old favourite – you don’t want anything that will be too hard to get into on holiday – and that usually means Anne Tyler, one or two Agatha Christies or a Jane Gardam.
The Summer After the Funeral is a short novel about a family coming to terms with the death of their father, an elderly clergyman. Rev. Price had a kind of allure with women and fathered three children in his dotage, but unfortunately, Mrs Price and her family must leave the rectory to her husband’s replacement. She concocts a convoluted scheme of passing her children round to various acquaintances and family for the summer while she goes job hunting. Continue reading “Quick Review: The Summer After the Funeral by Jane Gardam”
Anyone for Seconds? is a follow-up book to Laurie Graham’s first novel about TV chef, Lizzie Partridge. Perfect Meringues came out twenty years ago, so it’s been a long wait, but worth it as Lizzie is a heap of fun.
As the story begins, Lizzie is feeling like she’s on the scrap-heap. Her former boyfriend Tom, such a nice chap, seems to have made domestic arrangements elsewhere and she’s never resurrected her TV career since that on-air food-fight in Perfect Meringues. Now Global magazine has just axed her What’s Cooking? column. It’s the last straw. In a desperate bid to be missed, Lizzie heads for the train station and on a whim lands up at a hotel in Aberystwyth.
It’s November, so the seaside town doesn’t have a lot of sightseers. There is a furry conference on, though, and before her return a week later, Lizzie hooks up with a racoon with connections to her past. Back in Birmingham, it’s as if she never left: her elderly mother still ignores her, obviously preferring her younger brother Philip; she has to make appointments just to talk to her high-flying lawyer daughter, Ellie; there’s a mouse in the kitchen and the bills are piling up.
Some chance encounters and a few random events shake up Lizzie’s life so that by the end of the book there’s a promise of new beginnings. Along the way, there are plenty of laugh-out-loud moments. Anyone for Seconds? is such a fun read and it reminded me of what I liked so much about Graham’s contemporary fiction. Here’s why you should read it:
- Lizzie Partridge knows her grub, so there are plenty of interesting food references, if you like that kind of thing. I do.
- Lizzie is sixty-four. How many heroines do you know who are that age? But she’s terrific in so many ways, which is just as it should be – being sixty-four doesn’t stop her from having a go at romance and taking advantage of new opportunities. Not that this should be surprising. If you read Graham’s Dog Days and Glen Miller Nights you’ll know what I mean.
- There’s a real feel for the Midlands tone of voice. You can hear the characters speaking without any annoying dropped consonants or quaint expressions. It just seems to happen in your head.
- Graham is really good at dialogue, which makes the story bounce along. There are numerous phone calls, family dinners, and other verbal to-ings and fro-ings, including a pilot for a TV chat show.
- Like everything Graham writes, the prose is sparkling, sharp and witty – humour guaranteed.
Four out of five for me; oh, and I wouldn’t pass up a third helping, either.