When my aunt died and we all met back at her house following the memorial service, of course, I prowled her bookshelves. She had quite a collection, having been for many years a speech and remedial reading teacher. In her living room were all the classics, in smart hard-cover editions, and I have no doubt she’d read them all, often. But in her bedroom was a whole shelf of Nora Roberts and another of Katie Fforde.
Now I have never been able to get into Nora Roberts, even if she is one of the world’s best selling authors. But the Katie Ffordes looked inviting with their pretty covers and whimsical titles so I always meant to read one.
Recently I picked up Artistic Licence, which is about thirty-something Thea, a former photo-journalist. A bad experience with her ex had sent her off to the Cotswolds, where she finds a part-time job in a one-hour photo shop and takes in student lodgers. She’s in a bit of a rut, when Molly, her bossy friend, whisks her off on an artists’ retreat in Provence where she meets gorgeous young painter, Rory. Continue reading “Book Review: Artistic Licence by Katie Fforde”
When I went on holiday recently, I packed an assortment of books knowing I would have a few quiet hours away from the Internet and Netflix. I usually like to include an old favourite – you don’t want anything that will be too hard to get into on holiday – and that usually means Anne Tyler, one or two Agatha Christies or a Jane Gardam.
The Summer After the Funeral is a short novel about a family coming to terms with the death of their father, an elderly clergyman. Rev. Price had a kind of allure with women and fathered three children in his dotage, but unfortunately, Mrs Price and her family must leave the rectory to her husband’s replacement. She concocts a convoluted scheme of passing her children round to various acquaintances and family for the summer while she goes job hunting. Continue reading “Quick Review: The Summer After the Funeral by Jane Gardam”
Anyone for Seconds? is a follow-up book to Laurie Graham’s first novel about TV chef, Lizzie Partridge. Perfect Meringues came out twenty years ago, so it’s been a long wait, but worth it as Lizzie is a heap of fun.
As the story begins, Lizzie is feeling like she’s on the scrap-heap. Her former boyfriend Tom, such a nice chap, seems to have made domestic arrangements elsewhere and she’s never resurrected her TV career since that on-air food-fight in Perfect Meringues. Now Global magazine has just axed her What’s Cooking? column. It’s the last straw. In a desperate bid to be missed, Lizzie heads for the train station and on a whim lands up at a hotel in Aberystwyth.
It’s November, so the seaside town doesn’t have a lot of sightseers. There is a furry conference on, though, and before her return a week later, Lizzie hooks up with a racoon with connections to her past. Back in Birmingham, it’s as if she never left: her elderly mother still ignores her, obviously preferring her younger brother Philip; she has to make appointments just to talk to her high-flying lawyer daughter, Ellie; there’s a mouse in the kitchen and the bills are piling up.
Some chance encounters and a few random events shake up Lizzie’s life so that by the end of the book there’s a promise of new beginnings. Along the way, there are plenty of laugh-out-loud moments. Anyone for Seconds? is such a fun read and it reminded me of what I liked so much about Graham’s contemporary fiction. Here’s why you should read it:
- Lizzie Partridge knows her grub, so there are plenty of interesting food references, if you like that kind of thing. I do.
- Lizzie is sixty-four. How many heroines do you know who are that age? But she’s terrific in so many ways, which is just as it should be – being sixty-four doesn’t stop her from having a go at romance and taking advantage of new opportunities. Not that this should be surprising. If you read Graham’s Dog Days and Glen Miller Nights you’ll know what I mean.
- There’s a real feel for the Midlands tone of voice. You can hear the characters speaking without any annoying dropped consonants or quaint expressions. It just seems to happen in your head.
- Graham is really good at dialogue, which makes the story bounce along. There are numerous phone calls, family dinners, and other verbal to-ings and fro-ings, including a pilot for a TV chat show.
- Like everything Graham writes, the prose is sparkling, sharp and witty – humour guaranteed.
Four out of five for me; oh, and I wouldn’t pass up a third helping, either.