Book Review: Less Than Angels by Barbara Pym – anthropology meets comedy of manners

I seem to have got caught in the 1950s, first with the Charlotte Bingham memoir, and now with this book published in 1955.

Less Than Angels follows a group of people connected to an anthropology faculty at a London university. It opens in a café where Catherine, a freelance writer for women’s magazines, is sitting watching people go by from her seat by the window. Outside two anthropology academics are hurrying to a party at a new research centre that has been donated by a wealthy widow named Mrs Foresight.

At the party we meet Esther Clovis who is one of those ‘excellent women’ who keep everything ticking along, while the more senior men strut and proclaim. These include elderly Professor Mainwaring, once obviously devilishly handsome, who has secured the funding by charming his way into Mrs Forsight’s good books and who gets to choose the recipients of the research grants later in the book.

Esther is not an attractive character, but Pym gives her feelings none the less and makes her interesting. Here she is as the party is about to start, worrying about the students who have gathered in the library to study and how to throw them out nicely. In the end she invites them to stay for the party and we meet them all.

I confess I was a little put off by this lengthy party scene at the beginning of the book. So many characters to keep track of, including two young men in their third year, Digby and Mark, who add a touch of comedy, and new student Deirdre, who has begun to wonder why she decided on anthropology in the first place. Deirdre is a wistful, restless girl with the kind of languid beauty that goes with all that. She lives with her widowed mother and a ‘spinster’ aunt in a leafy suburb. They live next door to failed anthropologist, Alaric Lydgate, who has an alarming collection of African masks which he wears in the privacy of his garden.

It was odd to think that he himself had once been on the threshold of that kind of life and that he had thrown it all away, as it were, to go out to Africa and study the ways of a so-called primitive tribe. For really, when one came to consider it, what could be more primitive than the rigid ceremonial of launching a debutante on the marriage market?

The story really picks up when Tom Mallow returns from his stint in Africa to write his thesis, and to his domestic arrangements with Catherine, who has a bohemian style flat. Catherine obviously loves Tom, who seems surprised by his own easy charm with women, but he’s soon drawn to Deirdre.

So the story has a kind of love triangle in the centre of it, with a myriad of interesting characters and the small politics of a university faculty in the background. When it comes to anthropology, Pym seems to know her stuff – she was at one time the editor of the journal of the International Institute of African Languages and Cultures in London. And perhaps this has inspired her because while the novel’s academics are absorbed in the study of African tribes, their customs, values and intergenerational connections, Pym seems to casting her own anthropological eye over the British middle classes.

Barbara Pym has often been described as a twentieth century Jane Austen and this is particularly so when it comes to her thoughts on being a woman in her time, the sexism and the rocky road of making a place in the world for oneself. Universal themes, but enhanced with Pym’s sparkling wit and gentle send-up of social formalities. Once I’d settled into the book, I found this a brilliant story, both entertaining and thought-provoking – but then, I’ve been a Barbara Pym fan for decades, so I knew I was in safe hands. Less Than Angels is a four-and-a-half star read from me.

Book Review: Spies and Stars: MI5 Showbusiness and Me by Charlotte Bingham – Round Two in Bingham’s hilarious MI5 reminiscences

This is one of those memoirs that read like a like a novel. It’s the second of Bingham’s recollections of her career in MI5. In the first, MI5 and Me, Bingham was encouraged to join the secretarial staff at MI5 by her father – she’d been just faffing around at home. Her father was quite important in MI5 himself – according to notes at the rear of the book, the inspiration for the character of George Smiley, in the John le Carré novels. Which makes her story seem all the more extraordinary.

Charlotte, or Lottie as everyone calls her, is twenty-something, and her interactions with fellow secretaries, Arabella and Zuzu reminded me a little of the St Trinian’s stories. They’re probably a similar era too – the events in this book take place the 1950s. As well as her work in the War Office, there is her developing relationship with her boyfriend Harry and their writing. Lottie and Harry spend hours after work beavering away in cafés on their film scripts hoping to make it in showbusiness. The characters they meet – the producers and performers – are often oddball and flamboyant, and wonderfully brought to life here.

Harry is a struggling actor so the writing helps keep him busy when he’s ‘resting’. But like Lottie, Mr Bingham sees in Harry someone who can do a job for him. He’s already got a couple of actors on his team – Hal and Melville even live at the family home, Dingle Dell. So Harry finds himself hawking copies of the Communist paper The Daily Worker outside the entrance to the Kensington High St tube station, alongside a ‘blind’ match seller also working for Lottie’s dad.

I went back to Dingley Dell feeling thoughtful only to bump into Hal and Melville both hurrying back into the house carrying copies of the Daily Worker.

‘Really, Lottie darling, the things I do for England,’ Melville said, sighing.

‘I shall read it cover to cover,’ Hal boomed. ‘I think of it as a political Beano. Apparently these asses really believe we are all equal. They wouldn’t if they’d ever toured with Dougie Robinson.’

A lot of Spies and Stars describes how Lottie and Harry come up with scripts, then dealing with agents and producers. Their first, The Happy Communist, is inspired by Harry’s Daily Worker pushing stint. There’s a terrible panic when their agent says there’s someone interested. What will Lottie’s father say? But obviously there’s some writing talent on display, as the two carry on writing more scripts and even sell a few. They soon learn the lesson not to expect their scripts to resemble anything like their originals once they’ve been through the rewriting team.

As I said before the memoir reads like a novel. Bingham is just so good with her characters, who are all vividly drawn, full of the quirks that make them interesting. And well, between show business and MI5, they’re a madcap bunch. And then there’s her use of dialogue, which creates lively scenes. You can tell that she had the talent to go on to write for popular television series like Upstairs Downstairs, which I remember I never missed as a girl.

Charlotte Bingham’s memoirs are fun, light reading, and almost qualify as ‘strange but true’. But maybe 1950s England was like that. And she really knows how to tell a story. I am tempted to try Bingham’s novels – there are dozens of them mostly published in the 1990s up to 2014. Spies and Stars is a four-star read from me, but if you’re tempted to pick this up, you’re probably best to read MI5 and Me first.

Book Review: Mr Churchill’s Secretary by Susan Elia MacNeal – a light but lively WWII mystery

This novel is the first in a wartime mystery series that features American-raised Maggie Hope, a young woman with a formidable brain. Which is how it should be. I like a brainy female sleuth. You know she’s going to have to figure things out rather than stumble around, picking up clues by accident.

Maggie has moved to London not so long ago. She was supposed to sell her grandmother’s house and then settle back into her studies in mathematics, taking up her place at an American university. She graduated top of her class and academic expectations are high. But along comes a war, World War II, that is, and Maggie wants to do her bit. She loves London and decides to apply for an under secretary position in the prime minister’s office. She doesn’t get it, of course. She’s a girl and they only take men, but when her friend, David suggests she try for a job as the PM’s secretary, she reluctantly gives it a go.

Maggie is desperate to use her maths brain, but at Number 10, she’s thrown by Churchill’s odd habits and cryptic commands, while being urged to keep her head down and do what she’s told by her superiors. Fortunately she has a cheery group of friends to hang out with, including her flatmates: Paige, an old classmate from America’s Deep South and hearty, Irish Chuck plus a pair of scatty twin sisters. David, is always dropping by. His life has always been a little risky as he’s gay when you weren’t really allowed to be so what’s a little war in the general scheme of things? He keeps everyone’s spirits up but his best friend John is moody and somewhat awkward around Maggie.

The story switches to that of Claire who is visiting the Saturday Club, a group of Nazi sympathisers, and Michael, who is letting off bombs around the place for Ireland. While the narrative builds towards a plot agains the PM, Maggie has questions about her parentage. There’s something her guardian, Aunt Emily, is not telling her. When she goes to find her parents’ graves, her mother is there for all to see, but her father’s grave is missing.

Things get more complicated with codes appearing in mysterious places and a visit to Bletchley Park, while pretty much everyone among the cast of characters is in danger from something. Whether it’s the bombs raining down on London, or Nazi sympathisers determined not to have their plans foiled, Maggie’s life has just got a lot more perilous. Things go down to the wire for Maggie, the PM and an iconic building in London, but luckily there’s Maggie’s amazing brain to save the day.

Anyone imagining this series to be ideal for fans of Jacqueline Winspear’s Maisie Dobbs, might want to reconsider. I think they are quite different beasts. The Winspear books reveal a lot about the war, and recent history, often taking a little understood aspect and making it the basis of a story. Her characters are really put through the ringer and there’s a strong emotional charge.

The Maggie Hope books would seem to be a more imaginative bunch of stories and are quite a lot lighter in tone. There’s lots of dancing in nightclubs, romance and general socialising, more about the music of the time, what people were wearing which adds colour and sets the scene. I shall probably continue with the series, but my reasons for picking up a Maggie Hope book will be for a lighter kind of entertainment. Mr Churchill’s Secretary gets three stars from me.

Book Review: Shrines of Gaiety by Kate Atkinson – a story from flapper era set in London’s seedy Soho

I find it so easy to slip into a Kate Atkinson novel, whatever the storyline, because the writing is just so smart. In Shrines of Gaiety, the main focus of the story is the goings-on of a family of nightclub owners in 1920s London, overseen by the matriarch, Nellie Coker. A Scottish woman widowed young and with a family to support, she’s done a few dodgy things to make her fortune, intent not only on supporting her children, but advancing them in society.

We meet Nellie as she’s leaving after a short stint in Holloway, the London prison for women. One of her nightclubs had been raided and liquor found being sold on the premises. Usually she gets a tip-off from a policeman – Inspector Maddox from Bow Street police station – but not this time. Is Maddox still loyal? There’s someone else sniffing around – a gangland boss who’s keen to get his hands on a set of nightclubs and settle an old score.

Observing Nellie leaving Holloway is Chief Inspector Frobisher, the detective tasked with cleaning up Soho’s nightlife and the rot that has set in at Bow Street. With him is Gwendolen, a librarian from York who is on the hunt for two young girls who have run away to London to go on the stage. London has a habit of swallowing up young women and a few have been turning up dead, fished out of the Thames.

Gwendolen is an interesting character as she has the fortitude of someone who has nursed during the recent war, but post-war life has been a little tame, living in genteel poverty with her listless mother. When her mother dies, she discovers an inheritance which gives her the freedom to travel to London, where she can explore a new life. The missing girls set her off on a mission. Both Frobisher and Nellie Coker offer Gwendolen interesting opportunities.

As well as following Frobisher’s policing, and Gwendolen’s snooping, we meet the younger Cokers: eldest son Niven, who is battle hardened from the war, unflappable and smart. His sister Edith is Nellie’s natural successor, practical, though not as pretty as her sisters. But something has unhinged Edith lately. With their Cambridge education, Betty and Shirley are primed to marry into the aristocracy, though they also lend a hand with the clubs. Younger son Ramsay is rather effete and an easy victim of anyone trying to get at Nellie, but nevertheless has literary aspirations. Young Kitty at eleven suffers from neglect and is largely uneducated while no-one notices that she’s also in danger.

‘Give Mr Frazzini a box of chocolates, will you?’ Nellie said to Betty.

Nellie sold the boxes for fifteen shillings each but bought them wholesale from somewhere in the north for a shilling a box, all prettied up with ribbons (a penny each) by soldiers disabled in the war. The dance hostesses made a great fuss of persuading their partners to buy the boxes for them and then, after a few chocolates had been eaten, the boxes made their way back to the storeroom they’d come from and were refilled, ribbons adjusted, and sent out to be sold again.

The narrative bounces around all of them, as well as Freda and Florence, the two missing girls, creating a giddy plot that will keep you on your toes. I’ve heard this book described as Dickensian, and I suppose it is with its varied cast of characters, and the way the criminal element rubs shoulders with the law, the sudden reversals of fortune – there’s even a gang of women pickpockets. The story paints a picture of the mad excesses of the 1920s, the jazz and the flappers, the endless partying as everyone tries to forget the recent war.

I enjoyed this book enormously because the writing is lively and amusing and you really can’t guess what will happen next. The situation looks dire for the stray women caught up in the seamy side of Soho, but even those with money can lose everything on the turn of a card. Help and goodness are in short supply but come from unexpected quarters. I chuckled my way through the book at some points; nervous for particular characters at others. At the end of the book, Atkinson gives potted histories of what happens next to all the major players, which may please or annoy some readers I confess to being a little annoyed but it’s still a four out of five stars read from me.

Book Review: V for Victory by Lissa Evans – a witty, heartwarming read about the war at home

I seem to have a thing for historical novels at the moment and I’m lucky to be spoilt for choice. This novel loosely follows on from two other books by Lissa Evans: Crooked Heart and Old Baggage, both of which are terrific reads. The main character who features in all three is a boy called Noel who only appears briefly in Old Baggage, but is a young evacuee in Crooked Heart when Vee takes him in.

Vee has had a hard upbringing and knows the value of looking after yourself, with an eye over your shoulder in case someone catches you out. She’s a grifter in the earlier book, and now she has as secret as well as a new name, masquerading as Noel’s aunt, a Margery Overs. It’s the only way she can still be Noel’s guardian, and the two are inseparable.

In V for Victory, Noel and Vee are living in Hampstead, in the house where Noel lived with Mattie, an elderly former suffragette and Noel’s godmother (and also the main character in Old Baggage). Mattie has left a lasting impression on Noel, making him an eager student and likely to quote chunks of literature and even Greek at any moment. It might make him sound a trifle old for his fifteen years but his bright, cheery curiosity soon wins people over.

Such as Winnie, the chief fire warden he meets when out trying to buy a textbook from a recently bombed stationery shop. Winnie’s story is a subplot loosely threaded with the main story and gives a glimpse of the experiences of women left behind by husbands in the forces that they hardly remember.

Winnie’s Emlyn has been in a POW camp since Dunkirk. Now we’re approaching the end of the war, she’s wondering what it will be like to see him again, dreading the mail in case there’s another boring letter outlining imaginary colour schemes for an imaginary house, or garden plans. In the meantime she’s become a confident and able young woman who’s found her feet with her war work, emerging from the shadow cast by her glamorous twin sister.

But the main story focuses on what happens when Vee witnesses an accident involving a US Army truck driver and has to report to the coroner’s court. Vee is terrified of having to lie under oath that she’s Margery Overs. But there’s a happy outcome when she becomes the recipient of treats from the US Army stores and invitations to go out with defendant, Corporal O’Mahoney. You can’t help feeling Vee’s secret will be discovered sooner or later, though.

But most of the fun in this book centres around the odd-bod bunch of boarders Vee has taken in to make ends meet. She selects them carefully so that they can double as tutors for Noel, in place of school. Dr Parry-Jones teaches Noel chemistry, biology and ‘accuracy’ (her steady gaze seemed to see and expect only the truth); Mr Reddish, who once dreamt of a stage career teaches literature and is always on the brink of a recitation; Mr Jepson, a journalist who lost an ear in the previous war, takes care of history and mathematics. Dinner time conversations are always a hoot.

Similarly, there’s plenty of lively banter between Winnie and her fellow wardens in their Post 9 Nissan hut. Evans has such a knack with dialogue, it is easy to imagine these characters and what they sound like. And the wartime drudgery: making meals go further out of rations (fortunately Noel is an inventive cook and they have chickens); the lack of heating; the queuing; the interrupted train services; the end of war fatigue. Not to mention the constant listening for V-2 rockets which fall from the sky with little warning.

It all comes together in a book that captures the time with humour and empathy – a delicate balance to get right – and adds up to a perfect wartime novel. There’s plenty of competition in this genre, but V for Victory stands out for its quirky scenarios and unlikely heroes. I hope Evans has a few more up her sleeve. This one gets a four and a half out of five from me.

Book Review: On Hampstead Heath by Marika Cobbold

Marika Cobbald’s new book On Hampstead Heath is a witty comment on our times, a kind of comedy of errors, with an unlikely heroine at its heart. Thorn Marsh is a news editor, a passionate believer in the role of the news media to uncover the truth and to keep the public well-informed. At forty-four, her career is everything, but when her paper is taken over by a media conglomerate she is shifted from the news desk to the midweek supplement to write The Bright Side. A prickly, curmudgeonly individual, she is the last person to write happy, inspiring stories.

Along with Thorn, there’s a bunch of quirky characters to enjoy. Nancy, Thorn’s mother who never loved but she has her reasons; Mira, Thorn’s new editor, who gives Thorn a good run for her money when it comes to dry one-liners; Lottie, Thorn’s neighbour, a Holocaust survivor and secret dope smoker and who is more like a mother figure than Nancy; Lottie’s niece, Jemima, disapproving and disappointed.

She turned an accusing eye on me. ‘The media have a great deal to answer for in all of this, affording celebrity status to people whose main contribution to society is putting their heads in a tank of maggots. My Year Fives thought Florence Nightingale was a contestant on Love Island.’

‘I only recently found out that a Kardashian isn’t a rifle,’ Lottie said, and finished her gin.

Desperation and alcohol lead Thorn to make up a story using a photo snapped on Hampstead Heath curtesy of her still friendly ex-husband, Nick.  Suddenly the world is sharing and retweeting her story about The Angel of the Heath, a flame haired apparition on the Viaduct Bridge, who had recently turned Thorn’s head rescuing her neighbour’s dog.

Lies pile up on top of lies as Thorn digs a hole from which it seems impossible to extricate herself. She has only herself to blame, and pours out her story to Nick and Lottie. She learns the hard way that getting the best story isn’t the only thing in life.

While there’s a good deal of desperation, Thorn is such a likeably difficult character and a dry, dark humour bubbles through every sentence. Thorn grows from someone who only lived for her job to someone who learns to love not only others but herself. But it’s never treacly or too serious and the ending is superb.

I loved On Hampstead Heath, but then I’ve always really enjoyed Cobbold’s books. But it has been a long stretch between the new book and her last one – ten years in fact. Hopefully we won’t have to wait as long for her next novel. On Hampstead Heath gets a four and a half out of five from me.

Book Review: The Woman Who Spoke to Spirits by Alys Clare – a new crime-solving partnership hits Victorian London

Alys Clare is known for her medieval mysteries, particularly the Hawkenlye and Aelf Fen books. I hear they’re really good, but these were the times when life was “nasty, brutish and short”, so I’ve always steered clear, maybe unnecessarily. But I was pleased when Clare decided to jump forward a few centuries to set her new series in 1880s London.

Lily Raynor is a private investigator who is beginning to make a name for herself with her ability to get to the bottom of things with tact and discretion. Working from her late grandparents’ apothecary shop, she finds herself too busy to manage all the filing, note-taking and plant watering at her World’s End Bureau, so decides to hire an assistant. Of the six candidates on her shortlist, only the last is in any way promising. Although Felix Wilbraham isn’t quite what she had in mind.

Felix is a from a well to-do background, but falling out with his dear papa, has been living a hand to mouth existence of late. He’s down to his last pennies when he eagerly accepts Lily’s offer of employment. And so marks the beginning of a new crime-fighting partnership. Felix has excellent penmanship and the enthusiasm of a lively puppy. He hasn’t a clue about pot plants but after his month’s trial, becomes indispensable to Lily, not just for filing and making tea, but in the field of inquiry.

The story cracks on with two cases for the bureau. Lily attends a private member’s club to interview Lord Berwick who is worried about his son – a weak young who has become besotted with an ageing actress. But she’s not Lady Berwick material so Lily is asked to investigate her background and to see if she’s merely toying with young Julian and if there’s anything about her that might cool Julian’s ardour. Meanwhile Felix interviews a Mr Stibbins who is worried about his wife. They are a happy couple, and Mrs Stibbins helps out the bereaved through her work as a medium. But lately she has a feeling that her life is in danger.

So two quite different cases. But as the smart reader will remember from the prologue, Mrs Stibbins isn’t the only woman in danger – a young girl has been murdered in the vicinity and soon the bureau is caught up with the matter of women, mainly prostitutes, who have gone missing. This really cranks up the danger, especially when Lily plays a duplicitous game. The story builds to a nail-biting ending to reveal a criminal with a particularly original bent.

This is an intelligently plotted and engaging story with two likeable main characters. Lily has a background in midwifery, but a shadow clouding her past she thinks of as The Incident, has seen her eager to change profession. She has an interesting association with a canal boatman who has a gypsy-like alternative life-style and an other-worldly wisdom.

Felix’s experiences as an older woman’s plaything, along with his knowledge of the seamier theatre world, help him with the Berwick case. So both he and Lily have secrets that they are as yet unwilling to share with each other. This sets the scene for some interesting character development and dynamics that will no doubt affect their working relationship.

This is a very entertaining and relaxing period mystery that never gets too dark, in spite of the grimmer side of Victorian London emerging from time to time. You get a strong sense of the rigidity of a class system that keeps people in their place and that women like Lily are pushing boundaries by determining their own futures. She’s a complex character and I look forward to getting to know her better through the series. (Book number two is The Outcast Girls.) The Woman Who Spoke to Spirits scores a four out of five from me.

Book Review: The Authenticity Project by Clare Pooley

Book connections can be puzzling. What led me to seek out this novel was probably a recommendation in connection with another book I enjoyed, but what it was escapes me. This story similarly connects random characters, one leading onto the next.

It begins when elderly Julian leaves an exercise book in Monica’s café, with the title The Authenticity Project carefully lettered on the cover. Inside Julian describes his loneliness since his wife died, and how he lost friends and relationships, now going days without talking to anyone. He closes with the challenge to whoever picks up the book to ‘tell your truth’.

Monica does. She writes about her longing for a family, in particular, a husband and a baby. She’s in her late thirties and fears she’s left it too late. But Monica doesn’t just tell her truth, she decides to help Julian. She’s looked him up online and discovered he’s a once famous artist, and a minor celebrity in his day. Her plan is to weasel him out of his cave by advertising for an artist to teach drawing at her café. He regularly stops by for coffee, so is sure to see it. She leaves the exercise book in a bar where it is picked up by Hazard, a stock broker with addiction issues and so the story goes on.

Hazard is an interesting character in that he’s a really obnoxious on the one hand, but has the self-awareness to take himself off on a retreat to Thailand to detox. Perhaps a new Hazard hides beneath all that drug and alcohol fuelled brashness. The exercise book is just the trigger he needs. He’s read both Julian’s and Monica’s ‘truths’ and decides to help Monica from his tropical hideaway.

More characters join the chain. Happy-go-lucky, live-for-the-moment Riley, an Australian gardener, who doesn’t understand the English with all their hangups. New mother, Alice, who has a social media addiction, as well as the husband and baby Monica craves. But they don’t make her happy. They’re all interesting and entertaining in their way, although it’s Monica and Hazard who are the most engaging and complex, the ones who can’t make up their mind what they want or how to get it.

The Authenticity Project is a light and entertaining novel. The changing viewpoints work well because everyone is trying to fix things for others, creating dramatic tension, and a community of sorts emerges. It made me wish Monica’s café was just up the road so I could pop in, join an art class or curl up on a sofa with a book. The references to famous people of the eighties Julian used to hang out with, his designer wardrobe and old LP collection, add plenty of colour and I loved the Fulham setting. It’s a a feel-good kind of read, maybe just the thing for the holidays with an original, well-executed storyline. I’m giving this one a three and a half out of five.

Book Review: Black Out by John Lawton – noirish wartime thriller

I couldn’t remember why I’d put Black Out on my Must Read list. It must have been recommended in glowing tones somewhere as it doesn’t have the look of the kind of book I normally read. But when I eventually picked it up, I was soon hooked. And that’s in spite of it beginning with a grisly discovery – a severed arm on a bomb site.

We’re in London, 1944, and the Blitz has turned whole blocks into rubble. You’d think it would be easy to pass off a killing as death by explosion and get away with it. Fortunately, Sergeant Troy of Scotland Yard knows murder when he sees it. Soon he’s connected it to another death and a disappearance, men who have recently turned up in Britain from Germany. Why would anyone bring them across in the middle of a war just to kill them in this cloak and dagger way?

The plot will involve the American secret service (Office of Strategic Services – which will soon be the CIA) as well as an underground group of Communist sympathisers. There is not one femme fatale , but two, one of them rather short and the other rather tall.

Sergeant Freddie Troy is himself an interesting character. The son of Russian emigré parents, his father made his fortune in newspapers. So Troy went to Harrow, but eschewed university for the police. At twenty-eight, he has decided to stick with the police rather than enlisting in one of the services. Why should he fight for a country that interned his older brother and his uncle? But London in the Blitz is no picnic. Here’s Troy getting a bit of a lecture from older brother, Rod.

‘…The war was, as you put it, good to me. I rather think I enjoyed it. But you didn’t did you?’ You got shot – “
‘Twice.”
‘Stabbed.’
‘Four times.’
‘Bombed.’
‘Twice again.’
‘Beaten up.’
‘More times than I can count. Look, Rod, what’s the point you’re tying to make? You’re not telling me all this tosh just to let me know I missed a trick by not volunteering.’

While I tired a little of the women in Troy’s life, the tall and the short, and even Troy is a cold fish at times, I did enjoy other characters immensely. The pathologist, Kolankievicz, is a wonderful creation with his wild ear hair and colourful language; you don’t want to mess with Superintendent Onions who is bluntly North of England and bull-headed, and then there’s Troy’s side-kick, DC Wildeve who has a gift for intuition and general smarts. Troy and Wildeve are known at the Yard as ‘the tearaway toffs’. Even the scruffy kids who find the arm in scene one are each interesting in their own way, while there’s an eccentric Russian uncle who holds forth on Speaker’s Corner.

Troy’s kind of interesting too, trying to manage all the people in his life and failing miserably. He’s a loner at heart and often his own worst enemy. The story bounces along with a good mix of action, police deduction and Troy getting things wrong, with short, sharp chapters that make for an easy read. But most of all, I enjoyed the smart writing. The dialogue is crisp and a bombed-out London evocatively described.

Black Out is the first book in the series and with the war coming to a close and a peace that will be challenging once the Iron Curtain comes down, there is plenty of potential character development for Troy in the books that follow – although the books seem to jump around a bit chronologically. There’s lots to enjoy here and I shall certainly check in with Troy again. Black Out gets a three and a half out of five from me.

Book Review: The Silent Patient by Alex Michaelides

There’s nothing like a good psychological thriller to while away a wet weekend. The Silent Patient ticks all the boxes, combining a troubled narrator who in this case is a psychotherapist, an even more troubled patient and the mystery surrounding the death of her husband.

Theo Faber has recently taken a post at The Grove, a care facility for troubled minds and is particularly interested in one patient. Alicia is a former artist of some note who has remained unable to talk since supposedly murdering her husband, the famous photographer Gabriel Berenson. The media have made a lot of their story which has done heaps to push up the value of Gabriel’s work.

If Theo can persuade Alicia to speak about the night her husband died, Alicia may begin to heal. But because of her suicide attempts, Alicia is highly medicated at The Grove, doesn’t interact with other staff or patients, nor does she respond to any kind of therapy. The story is told mostly through the voice of Theo, himself a survivor of a terrible childhood and for whom psychotherapy has changed his life. He is convinced he can help Alicia and manages to persuade his boss, the avuncular Dr Diomedes and Christian, Alicia’s surly psychologist, to reduce her meds and let him try.

As well as tensions at The Grove, which is under threat of closure, not to mention volatile patients who do violent things, Theo gets into trouble by breaking rules. He interviews Alicia’s friends and relatives – the brother-in-law solicitor, Max, who has a bit of a temper; Alicia’s cousin Paul who still lives in the ramshackle house they grew up in with his monstrous mother; and Alicia’s old friend and art curator, Jean-Felix, who like pretty much everyone else is holding something back. Michaelides also allows Alicia’s own voice to tell the story through a hidden diary, which throws up some interesting questions. Then there’s Alicia’s symbolic and dramatic art. Her last picture is titled Alcestis after the Ancient Greek story popularised by Euripides about another wife driven to silence by love.

We have all the ingredients for a suspenseful and nuanced thriller, drawing you in through the thoughts of the therapist/patient combo of Theo and Alicia. In the background there are dangers lurking and a sense of impending doom. But it wouldn’t be a good thriller without a few interesting plot twists and Michaelides is a master at this. Already known for his work as a screenwriter, this is his first novel and it would be easy to see the book as a movie. But I also really enjoyed the writing and am happy to learn he’s sticking with fiction for now and has a new book on the horizon. For me the pages whizzed by as I raced to find out what really happened to Alicia and Gabriel. A four out of five read from me.