When reading it is wonderful to be lured into a novel by a charming location – quaint English villages, coastal towns, places that don’t even appear on the map but keep drawing you back when you find them. Imagining a quirky setting and the people who live there must be fun to write too and once you’ve created it, how hard it would be to leave, never to return. No wonder so many book series centre around a place. Here’s a few series that have wonderful settings I happily return to again and again. Continue reading “Series Settings that Hit the Spot – part 1”
For a while there, I mostly avoided Australian fiction, fearing the characters would sound as if they’d stepped out of Kath and Kim. I was foolish, I know – I’d read some Tim Winton and Peter Cleary with enjoyment, so can only assume I’d had a bad experience once somewhere along the line.
But lately, I find myself constantly returning to and even looking forward to new fiction releases from our neighbours across the ditch. Here’s a round-up of some of the Australian novels I would particularly recommend. Continue reading “Reading Australia”
Up Lit could be the latest literary genre. The term was coined in a recent Guardian article in response to the success of novels such as Eleanor Oliphant Is Completely Fine by Gail Honeyman and The Trouble with Goats and Sheep by Joanna Cannon. (Incidentally, these two books made my top ten reads for 2017.) You might say this is a genre with empathy at its core, a welcome break from the psychological thrillers that have been claiming top spots on the best-seller lists – books like Gone Girl (Gillian Flynn) and Girl on a Train (Paula Hawkins). Continue reading “Up Lit – Is it Anything New?”