
The Marwood and Lovett series is such a joy for anyone who loves a good mystery, with a historical setting that takes you there. Taylor’s series brings alive the nitty gritty of everyday life plus the machinations of the powerful at court. Set during the reign of Charles II, The Royal Secret has government agent James Marwood investigate the death of a former colleague, a Mr Abbott. He comes across the man in his cups and full of regret on his way from a gambling house.
When Abbott dies suddenly, it is hard not the think about the opening scene of the novel, where Abbott’s stepdaughter and a young maid plot his death by witchcraft. But the twenty-first century reader knows that the man’s death will be a lot more complicated than that. Another incident sees Marwood getting in Cat Lovett’s bad books when he takes her to the theatre and ogles the leading actress. The two have been friends and associates through several hair-raising adventures and now meet regularly for outings. Dating? I think not.
Cat has inherited her husband’s architecture business and at the theatre, meets her client, Mr Fanshaw, along with a Dutchman, Mr Van Riebeeck, a family connection of Fanshaw’s. Cat is charmed by Van Riebeeck, while Marwood takes an instant dislike to the man. The scene also introduces us to the world of the Dutch in England at the time and the political difficulties posed by rivalry between the Netherlands and France. This rivalry will come closer to home when Cat earns a commission to design a poultry-house for the King’s sister who lives at the French court. So many threads of historical interest.
The plot ramps up with plenty of action – James Marwood seems to attract trouble, as his suspicions around Van Riebeeck grow along with jealousy over Cat’s growing friendship with the man. There’s the usual tension of Cat and Marlow’s see-sawing relationship and Marwood is often in trouble with his own servants, which adds a degree of lightness.
While we get to see kings and their courts close up, their finery and excesses, Taylor doesn’t stint when it comes to describing the grubbiness of ordinary life in the 1600s. Characters puke, piss and evacuate their bowels in fairly graphic ways, not surprisingly when there are growing suspicions of poisonings. He throws in some other quirky details, such as the interest in collecting by the wealthy. Fanshaw, an avid collector, adds a disconsolate and elderly lion to his household, caged in the garden to impress visitors.
It’s a brilliant read, well-researched, pacy and as for the characters, I can’t get enough of Cat and Marwood – they are so lively and interesting. Sometimes you want to bang their heads together. But in a world where it is important to find favour in the right places, not just to succeed but to survive, they are refreshingly themselves and more inquisitive than is good for them. I can’t wait for the next book in the series. This one’s a four and a half out of five from me.