Book Review: Tell Me Everything by Elizabeth Strout – a welcome return to the world of Bob Burgess

The Burgess Boys was the first novel by Elizabeth Strout I ever read. I was soon a fan of Strout’s particular way of storytelling, never missing a book since and catching up with Olive Kitteridge, Lucy Barton and co, the small towns of Amgash Illinois, or as with this book, Crosby, Maine.

But I never forgot the wonderful character of Bob Burgess, the self-deprecating legal-aid lawyer, working the cases that don’t bring in a fat pay-cheque. He’s got plenty of history with his well-to-do, more confident brother, Jim – another lawyer and winner of a famous case people still talk about.

In Tell Me Everything, we catch up with Bob, who in the previous Lucy Barton book (Lucy by the Sea) has become Lucy’s friend. They take walks most days together, Bob having a furtive cigarette. Our other Elizabeth Strout character of note, Olive Kitteridge also enters the plot, having a story she wants to share with Lucy. Bob brings Lucy to visit the elderly Olive in her care facility, and Olive immediately detects that Bob is in love with Lucy. This is awkward, as Bob is married to Margaret, a church minister, and Lucy has settled in Crosby with her ex-husband William.

Lucy is a famous author, though a quietly unassuming one. Olive finds her a bit mousey but the two soon get along well, sharing stories of ordinary folk. They’re often rather sad stories, but the two feel they are worthy of sharing, as being otherwise undocumented lives. I feel this is Elizabeth Strout’s goal too – to write about ordinary folk, their burdens and their hopes, their failures and secrets, as well as the talents they don’t know they have. Some are more ordinary than others.

When elderly Gloria Beach goes missing from Shirley Falls, suspicion lands on her son Matthew, a strange, shy, reclusive man who has always lived with his mother. Bob finds himself reluctantly agreeing to defend Matthew against what seems to be an imminent charge of murder. Again, what is on the surface hides a grim set of family secrets, “lives of quiet desperation” indeed. So Bob has a lot going on with the legal case and his feelings for Lucy. A terrible illness in his brother’s family throws more light onto his relationship with Jim and events from the past.

Poor old Bob. He’s such a nice guy but gets caught up in everyone else’s troubles. He’s what Lucy calls a “sin-eater” – he seems more ministerial than his wife, Margaret, who he’s beginning to have some doubts about. On top of everything else, Margaret is having a difficult time with a partitioner.

I rattled through Tell Me Everything, particularly interested in the murder case and wanting to find out what had happened. But there’s nothing sensational here, it’s all very much like real life, another tragedy in an already tragic family. How Bob spots what happened and deals with it reveals an astuteness that is easily hidden within his seeming ordinariness.

Tell Me Everything is another terrific addition to the canon of novels about characters I have come to care about. They’re so realistic with their good points and bad, but Olive, Lucy and Bob are all people who take an interest in the lives of others, even people they hardly know. The stories of these people that come to the surface are often somewhat bleak, heartbreaking even, but they’re nonetheless fascinating. Tell Me Everything‘s a four-and-a-half-star read from me.

Book Review: The Appeal by Janice Hallett – page-turner told in emails and texts

The epistolary novel has become a popular trend mirroring the many options we have for communicating these days. But I’m not sure I’ve come across one that’s a murder mystery before. The Appeal deals with a murder that has been tried in court, a perpetrator found guilty, the case supposedly done and dusted. Fearing a miscarriage of justice, Roderick Tanner, QC, calls upon two articled clerks, Charlotte and Femi, to plough through the evidence to try and establish what really happened.

The story is told via this correspondence between suspects, a chronological collection of mostly emails between witnesses as well as texts between the legal team. Throw in a few police interviews and newspaper articles and you’ve got an interesting mix.

We don’t know who was killed until late in the story, but Hallett builds a picture of a small community with, at its heart, an alpha family – Martin and Grace Hayward who own the Grange and manage the Fairway Players, an amateur theatre group. They have all the status that goes with their stately home. Grace Hayward is a former actress who steals every scene when on stage and Martin directs.

Among the players, Issy Beck writes a lot of emails, cheery little notes of support particularly to her new colleague at the hospital, Samantha and her husband Kel Greenwood. The Greenwoods are recently back in England after years working with aid agencies in Africa and there are hints they left under a cloud. But Issy, lonely, mousy and lacking any kind of standing with her colleagues or community, is determined to be Sam’s friend, encouraging her and Kel to audition for the new play.

But barely have the Greenwoods joined the Fairway Players and the troupe started learning their lines than Martin Hayward drops the bombshell that their grand-daughter Poppy has a rare form of brain cancer. The emails track the huge support the players and other locals show the Haywards, and suddenly the story is more about the massive fundraising that takes place to pay for ground-breaking treatment from the United States. A lot of money is involved and potential complications of trust and misuse are thrown into the mix.

Janice Hallett does a terrific job of evoking the personalities and motives of her characters through what they write to each other. The confusion and questions Femi and Charlotte reveal in their text messages to each other mirror what you feel as a reader, but slowly it all begins to make sense, answering the five main questions Tanner asks of his clerks. Police interview transcripts and reports, oddly enough, don’t shed a lot of light as people are obviously lying or haven’t a clue, which makes the book seem more realistic somehow.

I wasn’t sure I would have picked up a mystery written in this format if I hadn’t read glowing reviews of The Appeal. Through Hallett’s skill, instead of hampering the reader, the emails, texts and sundry correspondence cohere to create a gripping page-turner and I whipped through the novel, eager to see if the things I’d noticed were as important as I thought they might be. I came away thinking the book was really very clever and very well done. A four out of five read from me.

Review: The Children Act by Ian McEwan

I was going to see the movie but wasn’t quite quick enough. Emma Thompson and Stanley Tucci plus London – I always like London stories – seemed a winning combination. Then there was that nagging feeling I always get: You can’t watch the movie until you’ve read the book. And by the time I’d got hold of the book, the movie had moved on from our local cinema and that was that. But at least I still had the book.

And what a powerful read it is. Not that this was surprising – I’d read McEwan before (Atonement, Amsterdam, Sweet Tooth) and he’s a master craftsman. In a nutshell, The Children Act follows Fiona Maye, a judge who presides over family cases, many of them with complex moral issues at heart, and this causes problems with her marriage.

One case in particular, where she had to rule in favour of the separation of baby Siamese twins, leading to the death of one, but safeguarding the survival of the other, caused Fiona to draw away from her husband Jack. So at the start of the book, he is telling her he plans to have an affair unless they can somehow patch things up.ˇ

But Fiona is unable to talk to Jack, she has so much on her place, and his planned infidelity enrages her – surely he must have someone lined up already and this is infidelity in itself. When he packs a bag, it is easier for her to change the locks on the flat and then focus on her current case. Continue reading “Review: The Children Act by Ian McEwan”