Up Lit could be the latest literary genre. The term was coined in a recent Guardian article in response to the success of novels such as Eleanor Oliphant Is Completely Fine by Gail Honeyman and The Trouble with Goats and Sheep by Joanna Cannon. (Incidentally, these two books made my top ten reads for 2017.) You might say this is a genre with empathy at its core, a welcome break from the psychological thrillers that have been claiming top spots on the best-seller lists – books like Gone Girl (Gillian Flynn) and Girl on a Train (Paula Hawkins). Continue reading “Up Lit – Is it Anything New?” →