
These psychological thrillers – or domestic noir, as they’re sometimes called – can become quite addictive. Megan Miranda’s novel The Last House Guest is a nicely-turned mystery full of suspense and that often used device of scenes from before woven in with those after. What starts out as a story of a young woman investigating the death of her best friend soon turns into a complex tale of family secrets, power and money.
Avery works for the Loman family who rent out summer cottages in the coastal town of Littleport, Maine. Every summer, the town is bursting at the seams with wealthy summer visitors, Avery doing the donkey work of managing these short-term tenancies, the Loman parents with other fish to fry back in Connecticut. At the end of the season, the younger Lomans – Sadie and Parker – organise a Plus-One party at one of the houses, until one year the party ends in disaster.
Nobody saw Sadie Loman at the last party, but somehow she has ended up lifeless in her party clothes at the bottom of a cliff. Avery doesn’t believe for a moment that Sadie killed herself, and Avery should know, they’d been best friends for years. The story flips back to fill in Avery’s story – the loss of her parents in a car crash, her wild teen years, and her rescue by the Lomans. And then there’s her friendship with Sadie and how it faltered not long before the party.
It was hard to simultaneously grieve and reconstruct your own alibi. It was tempting to accuse someone else just to give yourself some space. It would have been so easy. But none of us had done it, and I thought that was a testament to Sadie herself. Than none of us could imagine wanting her dead.
Odd things start to happen – electricity gong out, a break-in at one of the cottages. Another renter complaining that someone had lit some candles in their cottage while they were out. When Avery finds Sadie’s phone, shortly before a special remembrance ceremony for Sadie, Avery starts to piece together the events leading up to her death.
There’s a lot for Avery to worry about. If there’s a killer out there, she is surely in danger and she has no one she can trust. And her falling out with Sadie just before her death means she can’t go to the police without implicating herself. And the police are still sniffing around, Detective Ben Collins always hovering hoping to catch a word.
The story builds to a thrilling ending as more secrets are revealed, more is revealed from witnesses, more lies uncovered. There is enough of a twist at the end to keep the reader guessing, and tempers boil over in a final showdown with the killer. The before and after plotting is a little beguiling at times, but it works in that it reminds you what it’s like to be remembering things in bits or piecing together events as you find out more information.
I found the beginning of the book reminded me a little of Wuthering Heights, which I know seems a little crazy. Avery reminded me of Heathcliffe, a young person given a new chance, a cuckoo in the nest of the wealthy family. Her memories of Sadie veer into being obsessive, she also has a wildness about her, a temper that has got her into trouble in her youth. But then she’s had a rough time of it, losing her family so young. Her situation placing her not quite part of the wealthy Loman clan, but not well-regarded by the townsfolk makes her a maverick character and as such she’s alone and vulnerable. But as a reader, you can never quite know how much you can trust her version of events.
I’ll be happy to pick up another Megan Miranda novel when I feel like another dose of suspense – she does it well. The writing is smart, the characterisation interesting and the story never lets up. The Last House Guest is a four star read from me.
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