I had no idea what to expect from this novel. Neither the title nor the cover gives a lot away, but I was soon caught up in the story of a young girl embarking on student life in Edinburgh. Pen and bestie Alice are from Toronto, and although neither wish to cramp the other’s style, they are there for each other as each explores opportunities as first year students together. They become friends with Jo, whose family have a country house they can decamp to, and whose brother, Fergus is soon attracted to Pen. All three girls, particularly Alice, are gorgeous in their own way.
Alice wants student life to be about experiences as much as study. She’s also hoping to land a role in a play and then, if that goes well, a part in an Edinburgh Festival production. She’s larger than life, a bit of a party animal and open to a dalliance with a lecturer – just another box to tick off. Pen, on the other hand, is quieter, more studious and intellectual. Studying in Edinburgh gives her a chance to connect with an old friend of her father’s, a famous author of mystery novels, Lord Elliot Lennox.
Pen wants to be a journalist, so talking to a writer makes sense. But she’s also digging around for reasons behind her parents’ divorce. Why did her father fall out with his best friend, a friend remembered with her middle name? Was there something between him and Lennox’s wife, Christina? Pen writes to Lennox asking to visit him in his stately home, and finds herself welcomed into the family by his wife Christina. She strikes up a friendship with George, a niece with a young baby, and is soon smitten by older son Sasha. But often while she’s there, Elliot Lennox stays in his study, only surfacing for meals.
She and Pen had been friends since well before they had discovered the need to construct an outer shell, like that of an invertebrate animal, to protect the soft inner substance of the self. Childhood friendships often lose their hold at that point, when one sees that the person one loved has learned to disguise herself and will no longer be reachable, or at least not often. What made Alice feel certain, as Pen helped herself to the roll of toilet paper on her desk to wipe her nose, that this friendship could take them through every stage of their lives, cushioning them against the bone-crushing loneliness of being human, was that they did not have to pretend with each other. Silently, she vowed to remember this.
So we have a couple of story threads: Pen’s student life on campus and her growing interest in Elliot Lennox and his family. There’s also her own family issues, too, and secrets from the past. The writing is nicely turned, and thoughtful. But Pen is an introspective sort, so we get a lot of introspection. Lots of Pen making herself miserable about the Lennox family, and what they all think of her, and about Sasha in particular. Just as well Alice is busy getting into strife and dealing with the fallout. This helps give the plot a bit of action.
Emma Knight is insightful on student life, that age when there’s so much to explore and experiment with. Both girls get things wrong, and help each other to move on. But there’s also an underlying thread about parenthood, particularly the demands on mothers, the difficulty of being your true self when there are others depending on you. Christina is a case in point, running a huge estate and keeping everything ticking over so her husband can write books. And she’s a mother on top of that. Which is where the octopus analogy comes in, in case you’re wondering.
This is a book you have to be patient with, it nearly lost me about half way through, but enough happened to keep me curious – particularly about what happened all those years ago and with whom. And the honed writing helps too. I wish I had been at eighteen as clever as Pen with the smart delivery of opinions, which even sparks Elliot Lennox’s approval. But it does make for a somewhat wordy novel, at times. I think Emma Knight is an author to watch, though, and will happily seek out her next book.
I read an advanced reading copy of The Life Cycle of the Common Octopus, courtesy of Netgalley. The book is due for release in bookshops on 10 April and it is a three-and-a-half-star read from me.
Judith McKinnon 