Book Review: Hemlock Bay by Martin Edwards – a cosy mystery with plenty of Golden Age panache

I was in the mood for a cosy mystery and was intrigued by this new book by Martin Edwards, the fifth in a series about the investigations of Rachel Savernake, a young woman of private means with an interest in murder. Edwards has immaculate credentials, being something of an expert in Golden Age murder mysteries. He’s the President of the Detection Club, a group formed in 1930 by crime writers such as Agatha Christie and Dorothy L Sayers and where Knox Commandments are sacrosanct.

These are rules about what a crime novel must and mustn’t do – things like the murderer must appear early on in the story, the detective must declare any clues they discover as they discover them and also must not be the killer. Among others. Martin Edwards has also been awarded the Diamond Dagger for outstanding contribution to crime fiction, so I felt this book was definitely worth a shot.

As Hemlock Bay begins, we are soon reading the diary of Basil Palmer who is planning a murder in the North of England seaside resort of the title. He wants to dispose of the man responsible for his wife’s death – someone he has never met. Pushing him off a cliff seems a good idea. Around the same time, our amateur sleuth, Rachel, has just bought a painting, also of Hemlock Bay, by well-known Surrealist painter Virginia Penrhos, which shows, if you look carefully enough, someone lying dead at the bottom of a cliff.

Rachel lives in a large London house with her chauffeur Trueman, his wife Hetty, and Trueman’s sister Martha. Hetty cooks and Martha is a kind of companion-maid, but they all get on well, as equals almost – a kind of family of amateur sleuths. There’s some history here that you no doubt get more of in the earlier books, which I have yet to read. While this scenario does arouse the reader’s curiosity, it was perfectly fine to read Hemlock Bay as a standalone novel.

When London crime reporter Jacob Flint interviews a clairvoyant claiming to have had a vision of someone being pushed from a cliff at Hemlock Bay, he pays a call on Rachel. What he reveals sets them all off together for a summer stay at the seaside resort with the aim of preventing the murder. Flint has had some previous lucky breaks following Rachel’s nous for crime – also in the previous books – and this seems set to happen again here.

‘… I’ve been told when and where the crime is due to take place, but there’s no clue to the identity of the victim, let alone whoever is planning the crime.’
‘Rachel pursed her lips. ‘A good start. Carry on.’
As Jacob described the letter and his meeting with Gareth Bellamy, alias The Great Hallemby, he was conscious of her intense concentration. Impossible not to feel a warm glow. He admired Rachel, and there was no doubt that she was extremely good-looking. But something set her apart from other attractive women. Her sudden shifts of mood were unpredictable and occasionally disturbing. When provoked into anger, she was capable of being astonishingly ruthless. He hated to admit it, even to himself, but there were moments when she scared him.
‘Hemlock Bay,’ Martha said as he reached the end of his story. ‘Well, well.’

The story is peppered with many interesting characters – among them Sir Harold Jackson, who with wife Sadie, turned Hemlock Bay into a luxury resort; Virginia Penrhos, who is staying there in a lighthouse with her moody lover, Fion, and Louis Carson, schemer an all-round dodgy character and his charming wife Pearl. The perspective flips around among our sleuths and Basil’s diary, with a lot of time spent with Flint, who is energetic and determined, and also a bit in love with Rachel.

It all comes together with a twisty plot and a barrel of surprises at the end, as Rachel reveals who did what and why – a scene rather like many a Golden Age mystery, with all the suspects and witnesses gathered together, listening with baited breath. Martin Edwards has set the story up with clues peppered throughout for the careful reader, and these are listed in the Cluefinder at the back of the book – a popular trope from fifty years ago.

The result is a pleasurable read, a clever cosy mystery, with engaging characters, plenty of warmth and humour and smart writing. Everything you could want with a relaxing crime story. In the background is enough period detail – talks of the Slump (it’s 1930, so we know hard times are a coming), fashionable pastimes for the wealthy (including naturism) – to add enough colour without slowing down the plot. Hemlock Bay is a treat – a four-star read from me.