Book Review: Shrines of Gaiety by Kate Atkinson – a story from flapper era set in London’s seedy Soho

I find it so easy to slip into a Kate Atkinson novel, whatever the storyline, because the writing is just so smart. In Shrines of Gaiety, the main focus of the story is the goings-on of a family of nightclub owners in 1920s London, overseen by the matriarch, Nellie Coker. A Scottish woman widowed young and with a family to support, she’s done a few dodgy things to make her fortune, intent not only on supporting her children, but advancing them in society.

We meet Nellie as she’s leaving after a short stint in Holloway, the London prison for women. One of her nightclubs had been raided and liquor found being sold on the premises. Usually she gets a tip-off from a policeman – Inspector Maddox from Bow Street police station – but not this time. Is Maddox still loyal? There’s someone else sniffing around – a gangland boss who’s keen to get his hands on a set of nightclubs and settle an old score.

Observing Nellie leaving Holloway is Chief Inspector Frobisher, the detective tasked with cleaning up Soho’s nightlife and the rot that has set in at Bow Street. With him is Gwendolen, a librarian from York who is on the hunt for two young girls who have run away to London to go on the stage. London has a habit of swallowing up young women and a few have been turning up dead, fished out of the Thames.

Gwendolen is an interesting character as she has the fortitude of someone who has nursed during the recent war, but post-war life has been a little tame, living in genteel poverty with her listless mother. When her mother dies, she discovers an inheritance which gives her the freedom to travel to London, where she can explore a new life. The missing girls set her off on a mission. Both Frobisher and Nellie Coker offer Gwendolen interesting opportunities.

As well as following Frobisher’s policing, and Gwendolen’s snooping, we meet the younger Cokers: eldest son Niven, who is battle hardened from the war, unflappable and smart. His sister Edith is Nellie’s natural successor, practical, though not as pretty as her sisters. But something has unhinged Edith lately. With their Cambridge education, Betty and Shirley are primed to marry into the aristocracy, though they also lend a hand with the clubs. Younger son Ramsay is rather effete and an easy victim of anyone trying to get at Nellie, but nevertheless has literary aspirations. Young Kitty at eleven suffers from neglect and is largely uneducated while no-one notices that she’s also in danger.

‘Give Mr Frazzini a box of chocolates, will you?’ Nellie said to Betty.

Nellie sold the boxes for fifteen shillings each but bought them wholesale from somewhere in the north for a shilling a box, all prettied up with ribbons (a penny each) by soldiers disabled in the war. The dance hostesses made a great fuss of persuading their partners to buy the boxes for them and then, after a few chocolates had been eaten, the boxes made their way back to the storeroom they’d come from and were refilled, ribbons adjusted, and sent out to be sold again.

The narrative bounces around all of them, as well as Freda and Florence, the two missing girls, creating a giddy plot that will keep you on your toes. I’ve heard this book described as Dickensian, and I suppose it is with its varied cast of characters, and the way the criminal element rubs shoulders with the law, the sudden reversals of fortune – there’s even a gang of women pickpockets. The story paints a picture of the mad excesses of the 1920s, the jazz and the flappers, the endless partying as everyone tries to forget the recent war.

I enjoyed this book enormously because the writing is lively and amusing and you really can’t guess what will happen next. The situation looks dire for the stray women caught up in the seamy side of Soho, but even those with money can lose everything on the turn of a card. Help and goodness are in short supply but come from unexpected quarters. I chuckled my way through the book at some points; nervous for particular characters at others. At the end of the book, Atkinson gives potted histories of what happens next to all the major players, which may please or annoy some readers I confess to being a little annoyed but it’s still a four out of five stars read from me.

New Books from Old Favourites

Twenty twenty-one is turning out to be a wonderful year for me as a reader as several authors I really enjoy return with new books after a bit of a hiatus. It’s interesting seeing what they come up with after an interval and compare the new books with old ones. And it also offers the chance to reread some old favourites and think about why you liked the earlier books in the first place.

Marika Cobbold‘s Guppies for Tea was a heart-warming, family story about Amelia and her struggle to care for her much-loved grandmother, now showing signs of dementia. She’s also battling a mother with an obsession with germs and a defecting boyfriend, but Amelia finds help in unexpected ways. I really enjoyed this novel, and would also recommend Shooting Butterflies as well as Cobbold’s previous book Drowning Rose, both of which have characters revisiting the past in a way that changes their view of their lives. It’s been a quiet ten years from Cobbold since then, but just published is On Hamstead Heath. Here’s what the blurb says:

“Sharp, poignant, and infused with dark humour, On Hampstead Heath is an homage to storytelling and to truth; to the tales we tell ourselves, and the stories that save us”.

Sarah Winman‘s latest book, Still Life, is only her fourth in ten years and therefore something to be excited about. When God Was a Rabbit was one of those love it or hate it books, if GoodReads is anything to go by. I found it brilliant and original, so that puts me definitely in the ‘loved it’ camp. Now I have a reader’s copy of Still Life and the first page has me hooked already, even though I’ve three other books already on the go. What to do?

Moving from the Tuscan Hills and piazzas of Florence, to the smog of London’s East End, Still Life is a sweeping, joyful novel about beauty, love, family and fate.

Esther Freud‘s debut novel, Hideous Kinky, is a story from Freud’s own childhood and concerns a woman living the hippie dream in Morroco with her two young daughters. They live a hand-to-mouth existence and the reader feels for the girls who really need more stability and well, safety. It was made into a film starring Kate Winslet (also worth a watch). There followed a string of very readable novels, her last outing, Mr Mac and Me (2014), set during WWI and has a basis in the true story of Scottish architect Charles Rennie Macintosh, a mysterious visitor to the south of England as seen through the eyes of a young boy. Coming soon in July is I Couldn’t Love You More, which according to the blurb is:

A sweeping story of three generations of women, crossing from London to Ireland and back again, and the enduring effort to retrieve the secrets of the past.

Out of interest, Freud’s lineage includes the painter Lucian Freud (father) and Sigmund Freud (great-grandfather).

Andrew Martin has been busy. He’s always got some new project on the go, it seems, fiction and non-fiction, but it’s been a while since he abandoned, or so I thought, his wonderful Jim Stringer railway detective series. The series has taken us from the early 1900s with Jim as a mere teenager, through marriage and war service, to France, the Middle East (The Bahgdad Railway Club is a particular favourite) and to India. The mysteries are full of wonderful north of England wit, odd-bod characters on either side of the law, enough action to keep things humming along and, well, trains. Jim is always battling the establishment, various railway bosses, while attempting to keep ‘the wife’ happy. Eight years after Night Train to Jamalpur was published, here we suddenly have a new Jim Stringer mystery to look forward to. Powder Smoke comes out in November.

Clare Chambers has been one of my favourite authors in the field of contemporary fiction, particularly for her warmth and wit and quirky characters. I’ve already reviewed her new book, Small Pleasures, which wove a story around a couple of historical events from the late 1950s – an interesting departure for this author but still showcasing her gift with characters and humour, but with a darker theme this time and a powerful emotional punch. It sent me off to her previous works and I enjoyed myself hugely rereading In a Good Light as well as The Editor’s Wife. I seriously hope she doesn’t abandon her writing desk for another decade before releasing a new novel, as she’s just so talented.

Book Review: Redhead by the Side of the Road by Anne Tyler

One of the things I’ve always liked about Anne Tyler is her knack for unlikely characters. There’s never going to be a stereotypical character in a Tyler novel – they’re often a bit quirky, but oddly ordinary as well. Certainly they’re not the kind of people you meet a lot in fiction. Take Micah Mortimer for instance, the main character in Redhead by the Side of the Road.

You have to wonder what goes through the mind of a man like Micah Mortimer. He lives alone; he keeps to himself; his routine is etched in stone.

Micah’s one of those quiet, fanatically tidy, routine driven men of a certain age, whose life could go on the same way for decades. He looks after his apartment building for a reduction in rent (sending out emails about the importance of flattening milk cartons before they go in the recycling), while running his Tech Hermit business, solving people’s home computer problems.

Not only is Micah pernickerty about his cleaning routine (kitchen floors every Monday), he likes to think of himself as a model driver, sticking to the rules, taking care when parking, while an imagined Driving God smiles benignly. All the same his inclination to do the right thing also extends towards people, like his neighbours, but sometimes he misses important signals.

Two things happen that upset his routine. The teenage son of a former girlfriend turns up on his doorstep, wondering if Micah might be his father. Brink Adams (Wouldn’t you know he’d have a name like “Brink”, surmises Micah – something about the blazer and the haircut) ends up staying the night, upsetting the order of Micah’s day, leaving him to wonder why Brink isn’t at college and how to get in touch with his mother.

And when his girlfriend, Cass, phones him with her own problem, fearing eviction because of her cat, Micah doesn’t offer much consolation and Cass dumps him. Suddenly his head is filled with what might have been, not only with Cass, but with Lorna, Brink’s mother, all those years ago.

This is a quiet little story – just nudging 180 pages – and as such seems perhaps less substantial than novels like A Spool of Blue Thread, or Searching for Caleb, with their look at families through the generations and the interactions of characters over time, their secrets and motivations. And yet, Tyler really nails the character of Micah and creates a beautiful little drama about him. It really is the perfect little book and sometimes a small story is just right. An easy four out of five from me.