Tag: suspense

Book Review: Still Life by Val McDermid – a layered cold case mystery with lots to keep you interested

~ Judith ~ 2 Comments

I’d long known Val McDermid to be one of the top Scottish crime writers, ever since Wire in the Blood showed on our TV screens in the 2000s. While I enjoyed the characters, I’d never really taken to the books as I’m not such a fan of plots about serial killers. But the stories were always complex and the characters engaging. Then I came upon Still Life, a mystery in the Karen Pirie series.

Karen is a DCI from Fife working in a Historic Cases unit. When a body is found by fishermen in the Firth of Forth, Karen is called to investigate due to the dead man’s connection to a politically sensitive missing person’s case she’d had a hand in years before. Karen is a little reluctant as the local police have just started their investigations but is given no choice by her snooty boss “the Dog Biscuit” with Sergeant Daisy Mortimer as her back-up. Daisy is with the original team and with her French degree will be particularly useful when their case takes them to Paris..

This is an engrossing mystery not least because of the interesting characters. Victim James Auld had absconded when the police began to finger him for his brother’s presumed death, although the body of Ian Auld was never found. Ian was a high-level civil servant in the Scotland Office when he disappeared.

There’s a connection to art theft and a well-known Scottish artist who painted unique collage styled portraits of the rich and powerful, lost to suicide around a decade before. And throw in the fact that James had a seven-year stint in the Foreign Legion, and was a talented jazz musician and you start to feel a real interest in the victim. So many strands to investigate and very few clues.

‘He couldn’t have fallen and hit his head on the way in? There’s plenty of rocks along that part of the Fife coast.’
‘The injury’s too regular for that. If you pressed me, I’d be inclined towards a baseball bat or a steel pipe.’
‘So, homicide.’
The professor gave a sharp sigh. ‘You know it’s not my job to make that judgement.’
‘I wasn’t asking, Jenny.’ He softened his words with a bashful smile, then turned to DS Mortimer. ‘The passport?’
She spotted the evidence bags on the side counter and picked up the two relevant ones. ‘It’s a French passport. Issued just over two years ago to a Paul Allard. Like the prof said, he’s forty-nine. His driving licence was issued in Paris at the same time – ‘
‘What? Exactly the same time?’
‘Same date. That’s weird, isn’t it? I mean, nobody has a passport and a driving licence issued on the same date, do they?’

Meanwhile Karen’s Historic Cases sidekick, Jason Murray (the Mint), is left carrying on with the case of a three-year-old body found in a camper van parked in a garage. And if that’s not enough to keep the story humming along, Karen is also upset when the man who killed the love of her life is released from prison. A woman of strong emotions and fierce actions, her grief bubbles to the surface again, threatening to overwhelm a promising new relationship.

But in the end, it’s Karen’s intelligence that shines through. She’s an impressive tactician, works hard and is brilliant in the interview room. The story allows Jason and Daisy to show their strengths too in very different ways, with Daisy a new recruit for more in the series.

If you enjoy character-driven police procedurals, this is a great read with lively prose full of Scottish vernacular. This didn’t hamper my understanding of what was going on, but added an appealing touch of local colour. I broke my rule about reading a series in order – Still Life is number six in the Karen Pirie series – but it didn’t seem to matter; it worked fine as a standalone novel. I’ll be checking in with Karen again and definitely trying some other Val McDermid mysteries. She’s definitely reliable for a satisfying read. Still Life earns a comfortable four stars..

Book Review: Guilty by Definition by Susie Dent – an enthralling mystery for word lovers

~ Judith ~ 1 Comment

How to head up a book’s chapters is a big decision for any fiction author. Do you give them enticing titles or apposite quotes, or just leave them numbered? Susie Dent begins each of the chapters in Guilty by Definition with an interesting word and a dictionary-style description. Some are really old, like “mathom, noun (Old English): a precious thing; a valuable gift”; others more recent, like the verb “broggle (seventeenth century): to poke with a pointed instrument”; and there’s one or two that are quite new, like “zugzwang, (twentieth century): the obligation to make a move, but every move is detrimental”.

The main characters in the novel are lexicographers, editors for the Clarendon English Dictionary, so words are their thing. Not just words and their meanings, but their history, their earliest known usage and how they have changed over time. This alone would have been quite interesting as the characters are all engaging, have secrets and things happening in their personal lives. The team of four are headed by Martha, whose sister Charlie was a PhD student who went missing a decade before. Martha had escaped to Germany for a decade and hasn’t been long home, slotting back into the house she grew up in with her widowed father.

She’d known there would be ghosts in Oxford. Martha wasn’t afraid of any headless horsemen, or nuns haunting the local ruins; it was Charlie, always Charlie she was afraid would find her. There had been times in the first year after her sister’s disappearance when Martha’s heart would stop as she spotted her through the crowd: the long blonde hair, the shapeless cardigan draped over a thin cotton dress. She’d hear a laugh, throaty and sudden, or catch a movement, a walk, a twist in the shoulders, and she’d be certain. Just for a moment. Then the illusion would shatter and the person she knew to be her sister would resolve into a stranger.

Also working at Clarendon we have Alex, a stylish older woman with a penchant for nice things; Safiya, a lively young woman who shares a flat with others her age; and Simon, who misses family life since his divorce. Their boss is Jonathan, a Shakespearean expert who is television’s go-to commentator for all things to do with the bard. He has good looks and charm in spades, perfect for the media.

They’re all just puddling along, lost in the rarified world of words, when a cryptic letter, penned by someone calling themselves Chorus, has them reaching for their pencils to decipher its clues. The letter starts them off on a quest to investigate Charlie’s disappearance, something Martha feels very sensitive about, as you might expect. Charlie was the golden girl of the family, and with Martha’s mother now dead, her father is still apparently grieving all this time later.

Then there are the postcards. This Chorus seems to be sending them not just to the core group at Clarendon, but other witnesses they visit to ask about Charlie. Seemingly quotations from Shakespeare, some of them verge on “poison pen”. There are more letters, and some wonderful scenes as Martha and co. delve into archives, visit old acquaintances, and uncover some disturbing facts about Charlie. We see Oxford in all its glory – old ruins and scholarly institutions, May Day celebrations, cafés and watering holes, leafy parks ideal for cycling. I was often googling as I read for images so I could imagine the settings all the better.

It all adds up to a wonderful read, erudite and witty, but not without its darker moments, as you’d expect of a good whodunit. Which this is. If you love cryptic crosswords, this will be a delight, but there’s still plenty to enjoy without trying to figure out the clues. I am thrilled to see that Martha will be back next year in another mystery in the series – Death Writ Large, out next March. Guilty by Definition is a four-and-a-half star read from me.

Book Review: The Twins by L V Matthews – a twisty psychological thriller with dark family secrets

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This novel is the sort of psychological thriller that has you hooked from the beginning. Yes, it’s about twins, and I know there have been so many stories about twins, you often feel you’ve heard them all before. But that didn’t stop me picking this one up and getting immersed in the story of Margot and Cora.

For twins, the two couldn’t be more different. Margot is quiet and responsible, a dedicated nanny to a well-to-do London family. She has a comfortable life and makes sure everything is as it should be for her young charges. It’s a twenty-four seven kind of gig, but you get the feeling Margot is creating a warm and loving environment because that seems to have been absent in her own childhood.

Cora on the other hand lives in a cramped flat across town with a flatmate, and the two are complete hedonists, living on the edge, while Cora will stop at nothing to get that big break as dancer. She’s confident, a bit crass, breezy and somewhat heartless. Glimpses of her at school, a decade before, reveal she’d been in with the in-crowd, while Margot lingered in the background, friendless and the butt of jokes.

The Twins begins with a mishap during a family holiday on a yacht which sees Margot lose the medication that keeps her anxiety at bay, and slowly memories start to creep back. These are events from her late teens, when something terrible happened involving the death of the twins’ younger sister Annie. Desperate to know more, Margot toys with the idea of seeing a therapist, an idea that Cora vehemently opposes. What is the secret that Cora wants to keep from Margot?

…I then look at the sea out of the porthole, exhale, and tell myself that I’m safe here. Looking after people is what I’m good at: routine and order and consideration. There is no need to feel anxious.
‘Margot?’ someone calls from above. ‘Can you bring up the oysters?’
‘Absolutely.’
I busy myself with tending to others. People don’t realise you’re not talking to them about your own life if you’re putting food on their tables, if you’re doing their laundry, if you’re smiling at their stories. I like living their lives because it’s easier than living my own.
My life has ghosts.

The story flips between the two sisters as we watch Margot attempt to reclaim the past, questioning her grandmother, in a care-home, her own memory now patchy. She trawls the internet to find the one person who might help her – Cora’s high-school boyfriend and Margot’s secret crush. Meanwhile Cora trains for a role in a dance performance that echoes parts of their story.

As more and more shadowy secrets rise to the forefront of Margot’s mind, you can’t help but feel for her and worry that when she finds out the truth it will be worse than not-knowing. She’s a much more sympathetic character than Cora, who seems like the dark to Margot’s light. Besides which, Margot’s grip on her life seems more and more rickety. This really racks up the tension.

Altogether, this is a nicely escapist read that keeps you hooked. However there was one point at which I wanted to throw the book across the room – a twist that I wasn’t expecting, not at all. I wasn’t even sure I wanted to finish the book after that. But I’m glad I did. It all comes together quite well and it makes the book seem rather more psychologically interesting than it might have been.

So if you like a good twisty, suspenseful read, this one’s worth persevering with, even if it is about twins. There is a really nasty character who makes a good villain; and the story plays with the fickleness of memory and the effects of trauma to create an interesting psychological situation. The plot really keeps you on your toes as a reader, so The Twins definitely does the job. A four-star read from me.

Book Review: The Last Line by Stephen Ronson – a World War Two thriller with a home-front hero who’ll stop at nothing

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I’m not really sure what to make of The Last Line, Stephen Ronson’s first book in a series following wartime hero John Cook. The cover promises that Cook is “the Jack Reacher of 1940s Britain”, and that would certainly seem to be true. But it took me a while to get used to a character like Cook in a WWII Suffolk setting.

After serving in the First World War, Cook had decided he wanted more action, and found it as a Commando in India. Once he got that out of his system, he got busy turning around a struggling family farm and buying up more land. When we meet him, Cook is just quietly minding his farm when a Spitfire crash lands in one of his fields, chased by a Messerschmitt, an interesting scene that reminds us that the war is dangerously close to British soil.

As a farmer, Cook needn’t rejoin his regiment, but you can’t keep a good man down and he plans to get back into the action as soon as possible. But the War Office has other ideas for him, and he’s instead asked to be part of an Auxiliary Unit, a resistance group designed to make things difficult for a German invasion, which after the fall of France now seems imminent. He meets a man named Bunny in a pub who tells him to find some people he can trust to lend helping hand, people who are prepared to give their lives in a ‘last line’ of defence, before the tanks roll their way on up to London.

Bunny shook his head. ‘I want you to form a small team, I’m calling them Auxiliary Units. Someone local will make contact with you. Work with them to pick up a few more men you can trust. Ex-army probably. Men who take the initiative, who can find their way around the country, who know the woods. Men who get things done without being told how to do it. Men like you.’
‘How do I communicate with you?’ I asked.
‘You don’t,’ he said. ‘This isn’t regular army. No chain of command. No safety net. If you get caught with a machine-gun and a pound of TNT under your bed next week, you’ll be shot as a German spy. No crying to Mother.’

And so we get to meet a few other determined sorts, among them young Eric, out poaching every night, Cyril with his hidden radio gear, and Lady Margaret who is struggling to save her estate from ruin, but has a stash of munitions ready to go. There’s some instant chemistry between LM and Cook, but before any romance can take place, our dashing hero has some local battles on his hands. The daughter of his accountant has been murdered – she’d been worried about a young evacuee and had been asking awkward questions.

These lead Cook to The Grange, a stately home also struggling to pay the bills, where he spots odd comings and goings involving trucks, a couple of young spivs who aren’t dressed for the country, and a padlocked barn. He puts his Commando knowledge to good use, how to make himself invisible as well as how to get answers out of people who think a sidearm makes them tough. They’re always in for a surprise as Cook will stop at nothing and knows how to kill with his bare hands.

It’s fair to say, however, that the malefactors are truely vile and get what they deserve. But as the death toll rose, I just couldn’t help wondering how Cook could get away with it all. Perhaps Bunny would pull a few strings. In the end I decided to just go with it and enjoy the story as a kind of boy’s own adventure for grown-ups.

The support characters are interesting and offer scope for development in the novels to come. I liked Lady Margaret, she’s not afraid to get her hands dirty, and the young evacuee, Frankie. He’s struggling to fit in, has obviously come from poverty, but Cook takes him on in an endearing way. I hope we get more from Mrs Cook, John’s mother, who seems a salt of the earth type, and has a lot to put up with.

The Last Line is a diverting read, with plenty of pace and a lively style that suits the period and the main character. The second book is already published (The Berlin Agent), and I’m interested enough in Cook & co. to find out what happens next. This one’s a three-star read from me.

Book Review: The Family Remains by Lisa Jewell – a twisty, psychological thriller sequel that will have you hooked

~ Judith ~ Leave a comment

Lisa Jewell often explores dark family secrets in her psychological thrillers. This is never more so than in The Family Upstairs, the 2019 novel about the Lambs, a well-to-do family and the interlopers who make their home with them, upending their lives. Mrs Lamb has felt the need to do something useful with the Chelsea family’s wealth, and takes in the Thomsen’s, as well as a couple of homeless musicians. Their London riverside house is luxurious and roomy, but David Thomsen exploits the Lambs, and the children, Henry and Lucy Lamb; Phin and Clemency Thomsen, get caught up in a situation that ends in murder.

The sequel, The Family Remains picks up the story of the younger generation, having been reunited in the first book and who are now trying to each build a future. This includes Libby Jones, the daughter Lucy had as a teenager, brought up by adoptive parents and who inherited the house in Chelsea. But the shadows of what went before still linger and there’s a sense that Henry and Lucy in particular are still looking over their shoulders.

When a bag of bones is found by mudlarkers on the riverbank, DI Samuel Owusu traces them back to the old Lamb residence and all the things that Henry and Lucy hoped would be forgotten about forever may now come to light. But Henry and then Lucy are on a quest to find Phin, Libby’s father, supposedly working in a safari park in Botswana, but who has high-tailed it, for some reason, to Chicago.

So while Henry and Lucy are hunting down Phin, DI Owusu is trying to piece together the life of Birdie Dunlop-Evers, a former member of a pop-group, reported missing in the 1990s. The story also works in the story of Rachel, a jewellery designer, who is told at the start of the book of the death of her estranged husband. We’re well aware of the particularly nasty type of guy Michael was – we met him in the earlier book when he was married to Lucy.

Lucy is a lovely-looking woman. When I saw her last year for the first time since we were teenagers, I was taken aback by the loveliness of her. She has a face that tells stories, she looks all of her forty years, she barely grooms herself, she dresses like a bucket of rags, but somehow she still always looks lovelier than any other woman in the room. It’s something about the juxtaposition of her amber-hazel eyes with the dirty gold streaks in her hair, the weightlessness of her, the rich honey of her voice, the way she moves and holds herself and touches things and looks at you. My father looked like a pork pie on legs and my lucky sister snatched all her looks from our elegant half-Turkish mother.

Golly, there’s a lot going on here, so never before was there a better reason to read the earlier book before the sequel. But somehow it all makes sense, and even if it’s a while since you read The Family Upstairs, you never feel completely bamboozled. Yes, you will have questions, loose ends and half-forgotten pieces of the overall puzzle. But Lisa Jewell will have you hooked, never the less, as I was.

I steamed through this novel in a couple of days, desperate to know if things would work out all right in the end. There’s always the sense that even though Henry and Lucy and even perhaps Phin, have been driven to do desperate and even quite bad things, they were very damaged children. We still feel for them, as well as Rachel, getting caught up in a relationship with a monster. It’s a twisty, original psychological thriller and as such a compelling read, but it’s very empathetic too.

And the characters are just so interesting. DI Owusu is a really nice guy, thoughtful, intelligent and sympathetic, which helps balance out the potential darkness and selfishness of Henry. Rachel’s story takes us into a character who has lived for the moment when it comes to relationships and suddenly in her thirties, feels it’s time to make a commitment. If only she hadn’t settled on Michael. But it’s Lucy I really enjoyed the most – she is so fragile on the one hand and yet has had to be strong and think on her feet for her children.

It is probably the characters and their unique situation that prompted so much demand from readers for the sequel that Lisa Jewell hadn’t planned to write. Which is probably why her books are so good, so moreish. Whenever I feel like a book to unwind with, she’s a top choice. If only I could make them last a day or two longer. This one’s a four-star read from me.

Book Review: Gabriel’s Moon by William Boyd – much more than your average spy novel

~ Judith ~ 1 Comment

I’m always keen to read anything by William Boyd – his prose is crafted, his characters complex and there is always an interesting historical setting. And story-wise, you can never tell what’s going to happen next.

With Gabriel’s Moon we are in London, at least some of the time, in the early 1960s, and our complex protagonist this time is Gabriel Dax. He’s a travel writer at that time when travel writing was really popular, and at thirty, is already very successful.

The book opens with a prologue describing the house fire that killed his mother and when, as a six-year-old, Gabriel was lucky to escape with his life. Ever since, Gabriel has struggled to sleep – with nightmares of the fire plus troubling missing elements of his memory. He has sleeping pills, and not surprisingly he drinks a lot. A doctor recommends he see a therapist and these sessions lead him to investigate just what really happened that night.

Gabriel’s recent jaunt abroad has taken him to Léopoldville, and the newly independent Republic of the Congo. He takes an opportunity to interview the new prime minister, Patrice Lumumba, who wants to set the record straight. It seems his life is in danger, and there are names he wants recorded, should he be assassinated. This is way out of Gabriel’s usual sphere as a writer, but he does what he’s asked, making taped recordings of the interview.

He was cleaning his teeth when the telephone rang again. He wandered back into the sitting room and picked up the receiver.
‘Hello, Lorraine?’
But no. Silence again.
‘Look,’ he said calmly, ‘you’re wasting your time, whoever you are. I’m not fussed. Not remotely bothered. OK? I don’t care if you call every hour. Goodbye.’
He took his pill, slid into bed and plumped his pillow, thinking back to his two hours spent with Patrice Lumumba and the way Lumumbra would reach out and tap the back of his hand to make a point.
‘They want to kill me,’ he remembered Lumumba had said at one stage, softly, in his accented English, as if he might be overheard by someone.

But Gabriel’s work hasn’t always been just about travel. His brother Sefton, being something in the Foreign Office, has on occasion asked Gabriel to make deliveries for him to the Continent. When Faith Green, a secretive woman Gabriel has clocked reading his book on the plane home, contacts him with a commission of her own, his first instinct is to refuse. Faith works for MI6 and is something of a femme fatale. But the money’s good, and the trip to Spain tempting. Before you know it, Gabriel’s involved in more and more dangerous work for Faith and in spite of his niggling doubts, seems unable to refuse.

Gabriel’s an interesting character and not always likeable. You want to give him a good shake, tell him not to drink so much and get a grip on his life. There are sadly not many people he gets close enough to call friends. His girlfriend Lorraine hasn’t a clue about what is going on in his head, while he and his brother are somewhat distant having been brought up by different relatives after the death their mother. So there’s no one there to offer a reality check. How he handles the increasingly tricky situations he gets himself into sees a new Gabriel emerge.

Undercurrents of the political situation with the USSR, the Cuban Missile Crisis, as well as social politics of the time round the story out and the period really comes to life. There are glimpses of the ordinary, such as Gabriel’s ongoing battle with a savvy mouse in his flat; the pest-eradication advice from Tyrone, his streetwise locksmith. The book reminded me a little of A Bird in Winter by Louise Doughty – another really intelligent and nuanced spy novel with a main character on their own and battling for survival. This makes both books really engaging and gripping.

Then there are the settings. As well as Congo, there’s Warsaw and Cádiz, rural England and sixties London. If you’re after a satisfying, pacy but intelligent novel, Gabriel’s Moon might just do the trick. It’s a four-star read from me.

Book Review: The Impossible Thing by Belinda Bauer -a duel timeframe mystery from the cutthroat world of egg collecting

~ Judith ~ 2 Comments

Belinda Bauer is a crime writer from Wales who frequently turns up in the crime fiction awards lists – winning a Gold Dagger for Blacklands, as well as the Theakston Old Peculier Crime Novel of the Year for Rubbernecker. I’ve always enjoyed her books, and would find it hard to pick a favourite, but Rubbernecker was, I recall, a cracker – following the story of a young autistic man and his determination to deal, in his own way, with the death of his father. In Rubbernecker, Patrick signs up for an anatomy class, where groups have to examine a corpse to determine cause of death. It’s his mother’s idea – a way to help him get over his obsession with dying. And this is how he gets tangled up in solving a murder.

With The Impossible Thing, Patrick is back. At twenty-three, he is still happily living at home wth his mum, working at a pub and playing computer games badly with friend and former classmate Nick from next door. When Nick and his mother are subjected to a home invasion, the only thing missing is a guillemot egg in an elaborate case, which Nick had found in the attic and advertised on e-bay. He’s selling whatever he can find to pay for a new gaming chair. It seems bizarre that someone would go to such lengths to steal something as unassuming as an egg, until a little digging throws up the illicit world of rare-egg collecting.

It seems guillemots nest on cliffs, clustered in such tight proximity with each other that the mother bird lays a distinctive egg that will be easy to recognise among all the others. The colours are so varied, collectors would vie to obtain the most unusual. This is now quite illegal, but a hundred years or so ago, men would dangle on ropes over cliffs every nesting season to pick out eggs that they could sell. Which is how me meet our other main character, Celie Sheppard.

Celie is so different from her dark, robust looking siblings, her father disowns her and abandons the family to manage Medland Farm themselves. Her mother leaves baby Celie in the care of Robert, the “idiot” boy who helps on the farm in return for bed and board. Celie survives rather than thrives, and the two make an odd pair, both ignored by the other Sheppards. Egg collecting is a nice little earner at neighbouring farms but at Medland Farm there’s a rocky overhang making it impossible. Until skinny little Celie tells Robbie she can fit through a crack in the rock if he’ll hold her rope.

Robert never ventured on to the overhang. He didn’t say so, but Celie guessed it scared him to be on the sliver of rock with nothing beneath it but air and – finally – sea. It scared her too, but she loved to look through this crack into another world.
Now she put her head into the V again and watched a puffin return to its ledge twenty yards down with a rainbow full of quivering sand-eels. From here she could see hundreds of birds pressed against the cliff-face. And, as they shifted about, glimpses of eggs of every size and colour that she could imagine. They had chickens in the yard, of course, but they laid dull little brown eggs, and never enough to eat, only for selling. These eggs were two or three times that size, and speckled and spotted and splattered with brown and black on backgrounds that ranged from cream, through blue to green. Celie had never had a toy, but the thought of holding such eggs in her little hands made her nearly smile, with a feeling that was beyond hunger.

Celie’s story is one of ambition and trust, heroes and villains, love and also tragedy – particularly for the poor bird who gives up her very saleable egg every nesting season. You’re taken into the world of egg collecting – not just the perilous procedure involved, but also the greed and one-upmanship among the traders and collectors.

Nick and Patrick are also an unusual pair, but are oddly complimentary. Patrick is very smart but lacking in social awareness – something he realises and is working on. Nick isn’t all that bright but can be chatty and friendly. As even owning a rare, collectible egg is illegal, Nick refuses to get the police involved, so the two set about tracking down the stolen egg themselves. This will put them in the path of danger, as well as highlighting the motivations of egg obsessives, natural historians, wildlife custodians, and vigilantes.

The Impossible Thing is another cracking read from Bauer. I loved it, although the animal cruelty described is not for the squeamish. Bauer balances Celie’s more poignant story with the humour of Nick’s situation, his often at cross purposes dialogue with Patrick, their hare-brained schemes. There are some madcap action scenes, and the pace picks up to finish the story with a flourish.

This is also a very original novel, not only in its source material but with its two main characters, both outsiders, but both very likeable. And this makes it interesting. I am not sure if Bauer will bring Patrick back for another adventure, but I was delighted to meet him again and enjoyed his quirky smartness. The Impossible Thing is a four-star read from me.

The Impossible Thing will be released at the end of February. I read a proof copy of the book courtesy of Netgalley in return for an honest review.

Book Review: Every City Is Every Other City by John McFetridge – a quirky Canadian update of the classic gumshoe mystery

~ Judith ~ Leave a comment

Taking a punt on an author you’ve never heard of before can bring up some nice surprises. The title of this crime novel made me curious and I was soon happily ensconced in this e-audiobook about a part-time private investigator.

Gordon Stewart makes much of his name – you can read it either way, he says. A first name that could be a surname or vice versa. Mostly though, he’s just Gord, a location scout for the movie industry. This work means he’s got an eye for detail, and is good at sniffing things out – useful skills in a private investigator which is something he does when the movie work is quiet.

Lana, a work colleague, talks Gord into finding out what happened to her Uncle Kevin, an out-of-work electrician who has left his wife and gone off in his truck with his rifle. Finding the truck on a back road near the woods, police have written off the disappearance as suicide. He may have been depressed but Lana’s aunt is adamant Kevin’s still alive and wants to know where he is.

There’s also the story of the surveillance job Gord takes on for OBC (Old Boys Club) Security Inc – a case that has similarities to the Harvey Weinstein sexual assault case. Gord’s not keen, but Teddy at OBC can help with official records to help find Uncle Kevin so Gord feels obligated. This gets awkward when Ethel, the actress he has started seeing, discovers which side OBC is working for and decides to do some sleuthing on her own.

Every City Is Every Other City is a different kind of crime novel – maybe it’s the laid-back Canadian humour, or perhaps it’s the blend of PI sleuthing with glimpses of the less glamorous side of movie-making. Key elements of the story concern issues of the day – feminism and the Me-Too movement, for instance, as well as men’s mental health and the importance of work. McFetridge is very smart with dialogue, and his characters are nicely ordinary but interesting at the same time. The plot simmers along quietly, packing in enough tension to keep you turning the pages, with an ending that is both witty and heart-warming.

There’s also a lot of interesting detail about the entertainment industry. I love the way Gord knows just the right locations for somewhere in Ontario that can look like a New York street corner or a small town in America. Ethel’s an improv performer which comes in handy later when she’s trying to pretend she has a good reason to be somewhere she shouldn’t. Her world is also quite fascinating.

She held out her hand and said, “I’m Ethel.”
“I shook her hand and said, “Gord,” and she smiled and said, “Of course it is.”
An assistant director, a young woman wearing a headset and carrying a clipboard walked by the craft truck yelling, “Five minutes, we’re up in five minutes.”
Ethel said, “My big moment.” She stopped as she passed me and leaned in close and said,“Nice to meet you, Gord,” and I was hit with the smell of Herbal Essences shampoo and taken directly back to Thomson Collegiate.
I turned and watched her walk away and saw Lana coming towards me.
“Do I have to have the talk with you again?”
“She started it.”
“Never talk to the talent. Don’t even look at them.”
“I know, I know.” But I watched Ethel walk along the row of Winnebagos and trucks and turn into the bar. I said, “She looks familiar.”
“From the commercial, she’s the quirky friend.”
“I don’t know that one.”
“She’s always the quirky friend,” Lana said.

Ethel’s quite a character, the bright-spark extrovert opposite Gord’s low key personality. Both are quite appealing in their own way and their relationship adds another story thread. Even Gord’s dad is quirky in the way a man who has lost his wife a long time ago might be – fixing up his house rather than replacing anything, so that it looks mired in the 1980s, which delights Ethel.

Having characters that are fun to hang out with is always a plus, while I particularly liked the reading of this e-audiobook. This is courtesy of Tim Campbell, who takes you nicely into Gord’s head with a flat, gum-shoe kind of monotone that reminded me a little of old movies, and contrasting this well with Ethel’s more lively delivery and that of other characters. I stumbled upon this audiobook quite by accident and it made me realise I haven’t read a lot of Canadian literature in a while – something I’m keen to remedy, as I’d enjoyed it in the past. Every City Is Every Other City is a four-star read from me.

Book Review: House of Glass by Susan Fletcher – a chillingly gothic novel with an extraordinary heroine

~ Judith ~ Leave a comment

I was so taken with Susan Fletcher’s recent novel, The Night in Question, that I thought I’d try one of her earlier books. I picked up House of Glass, a historical mystery novel which oozes creepy house atmosphere.

We start off in London at the turn of the twentieth century, where we first meet Clara as a child, unable to leave her house. She has osteogenesis imperfecta, a kind of brittle bone disease, which means the slightest stumble or fall can cause a broken bone. The doctor thinks it best if she doesn’t go outside until she has grown up – or as grown up as she ever will be.

Clara is well cared for – there are endless books to read, and her mother, Charlotte, and her stepfather love her. Charlotte is a suffragette who left India as a young woman in disgrace and has made a marriage of convenience to Patrick. At the age of eighteen, Clara is able to explore the world with care, but the early death of Charlotte leaves her devastated. She finds herself at Kew Gardens in winter, befriended by one of the gardeners, and is slowly restored to herself by learning about the plants.

The story takes us to Shadowbrook, a once stately home with impressive gardens, where Clara takes on a short-term job – to oversee the establishment of a glass house of tropical plants, delivered from Kew. The new owner of Shadowbrook, a Mr Fox, is rarely at home, so Clara is left to get on with the glass house. But there are ghostly occurrences in the house – footsteps upstairs, where none of the staff or Clara are allowed to venture; flowers that are torn to shreds in the vases; things moved around. The housekeeper talks of paintings thrown from the walls, books flung from the shelves – which explains the bareness in many of the rooms.

Clara is a young woman who has immersed herself in science and doesn’t believe in ghosts. Even so she can’t help but be curious about the Pettigrew family that once lived at Shadowbrook, the stories of wild and cruel behaviour that have made them hated in the village. But the more questions she asks, the more suspicious the locals are of Clara, with her long, pale and untamed hair, her stoop and walking stick, her strange-coloured eyes. She begins to feel as much an outsider as the mysterious Veronique Pettigrew, whose ghost supposedly haunts Shadowbrook.

I had a curious sense of being watched; throughout the garden, I felt it. It was as though I had entered a part of it – the orchard, the lime bower – at the very moment that someone else had risen and left; I felt any metal chair might retain that person’s heat. It was an unsettling notion. I chastised myself for it – it was foolishness – yet I also looked down the lines of hedges. On the croquet lawn, I turned a slow, complete circle to see it all.

House of Glass is a novel that works on many levels. It reminded me of Wilkie Collins’ The Woman in White, with its mix of suspense and mystery. There’s atmosphere by the truckload in the house and the gardens, both evocatively described. Many of the characters seem to be harbouring secrets, some of them quite devastating as the story emerges, and there are a few twists before you get to the end.

My body was discoloured, marked. I was perhaps, more bruised than I had ever been; mauve and dark red and yellow in places. I examined the bruises one by one. I tried to remember the cause of each – a branch or a door frame, my own touch – and once, I might have minded such injuries. But now I saw those bruises as proof that I was living. I was no longer watching life from a London window, my hands on the glass; I was a part of it.

And then there’s the conjuring up of England on the brink of war – it’s 1914, the summer that Clara comes to Shadowbrook – so you’re constantly aware that the futures of the young gardeners and other characters are hanging in the balance. The place of women, not only the suffragettes, but any woman wanting to make a life of her own, to live the way she wants to is a theme that is depicted in the characters of Clara, Charlotte and in the story of Veronique.

House of Glass is a terrific read for anyone who loves a good historical mystery, or enjoys an atmospheric setting, particularly the way an English country house can be almost a character in itself. The characters are interesting more than likeable, while the plot has plenty to get you rushing through the final chapters. Throw in some nicely crafted writing and there’s plenty here to enjoy – it’s a four-star read from me.

Book Review: The Long Water by Stef Penney – an enthralling Nordic mystery with dark echoes from the past

~ Judith ~ Leave a comment

I’m always excited to see a new novel by Stef Penney. Her new novel, The Long Water, takes its name from a river in a rugged part of Norway within the Arctic Circle, where there’s a string of lakes and rivers, guarded by “mountains that rise out of the water like teeth”. It’s a remote area that once fostered mining, but with most mines now closed, the economy is now more reliant on tourism.

In the town of Fauske, senior high school students are enjoying “russ”, a kind of spring break, taking part in dares, general mayhem and partying all night before the hard work of exams begins. In the middle of this, a popular boy goes missing. Daniel was one of a group of friends who called themselves the Hellraisers and who are admired by everyone for their general coolness. A police search that goes on for days and then weeks yields not the missing boy, but a body in a mine that dates back to 1968, when the mine was closed.

The story draws you in through the eyes of several characters beginning with Svea, an elderly woman living on the outskirts of town with her dog who likes to keep to herself. Her one good friend is Odd Emil, a widower who is also Daniel’s grandfather. Svea has fallen out with her daughter, but is in contact with a granddaughter, Elin, who lives with her father, a rather conservative vicar. Now sixteen, Elin has just come out as gender fluid which at first perplexes her father, but fortunately Svea lends a sympathetic ear.

As well as being a mystery, this is also the story of Svea’s family and ongoing damage from their horrific upbringing. Svea has become strong in spite of this – the father she never knew was a German soldier stationed in Norway during the war, and her mother’s one true love. Her violent drunk of a stepfather taunted her with her doubtful parentage, but at least she had the love of her two sisters.

Elin worries that her being neurodiverse is what drove her mother away, but Svea thinks it’s more likely that her daughter has been troubled by her family’s mental health problems, in particular, an alcoholic grandmother and a fey aunt who disappeared some years ago.

My name is Svea. That’s an unusual name, you might think, for a Norwegian of my vintage. Basically, it means ‘Swedish’, although I could argue that it is a version of the masculine Sverre, from the Old Norse sverrir, meaning ‘wild, swinging’. That’s rather more exciting, but take your pick: swinging, or Swedish; I don’t care. Svea Hustoft. In town, I get called both Miss Hustoft and Mrs Hustoft. Both are equally meaningless. At one point in my life, I was called Svea Ovegaard, but I didn’t like that. Not that Hustoft is any great shakes, but at least it doesn’t have such unpleasant associations. Anyway – what is my vintage? I’m seventy-nine, if you must know, although I think it’s rather rude of you to ask. No, I don’t look it, do I? Don’t think you can get around me with flattery. It’s too late for that. Really, people these days – no manners at all.

The story also follows Benny, Elin’s friend who gets inadvertently caught up as a witness to events on the night of Daniel’s disappearance, while doing something he probably shouldn’t. And then there’s Daniel’s teacher, Marylen, who has a troubled home life and a secret attraction to Elin’s father. They are all interesting characters, well-drawn, who throw different lights onto the central mystery.

So there’s plenty of story threads. How the town deals with the disappearance of Daniel, as well as the discovery of a body pushes the plot along nicely. Elin and Svea can’t help but ask questions while hints of what happened decades ago make you whip through the pages. On top of which, Fauske is such an interesting place for a reader to visit – Stef Penney is brilliant at creating evocative settings – and you have the feeling that there are darker undercurrents that need to be brought to light, particularly around misogyny and prejudice.

While all the characters are easy to sympathise with, Svea is a particularly brilliant creation. She’s crusty and plain-spoken, loves her dog but has secrets too. Her story is slowly revealed, while we wonder if it isn’t too late for her to find peace with the past, reconnection with her family, even love. Stef Penney, who wrote the Costa Award winning: The Tenderness of Wolves, is always worth waiting for and her new book didn’t disappoint. The Long Water is a four and a half star read from me.