I didn’t know quite what to expect when I stepped into the world of Boyd’s latest novel, Trio. One thing I might have guessed is that its three main characters will be put to the test. Set in Brighton in 1968, the story centres on the making of a film with a ridiculous title. There’s remarkably little glamour as we’re taken behind the scenes – Brighton isn’t exactly Hollywood. The narrative switches between each of three main characters who are connected with the film.
Talbot Kidd, in his sixties, is the reserved, genial film producer who following the recent law reform decriminalising homosexual relations, is wondering about his own sexuality. But everyone keeps coming to him with their problems – film stock is going missing, the leading actress won’t work with the couple of acting hacks hired to play her mother and father and could it be true that his business partner is fleecing him? And then there’s that blasted song he hears everywhere he goes about the park with the cake left out in the rain, the sweet green icing flowing down … you know the one.
The leading actress, lovely Anny Viklund, is an up-and-coming American star with a poor taste in men. Her current boyfriend is a French freedom-fighter philosopher but before that she was married to an anarchist-terrorist and now the FBI want to talk to her. Luckily her co-star Troy offers easy, uncomplicated sex, and she’s got a stash of uppers and downers to keep her on an even keel. But she can’t help wondering why she has no control over her own life.
The third narrator, Elfrida Wing, is married to Talbot’s director, Reggie Tipton, a serial philanderer suddenly requesting everyone to call him Rodrigo. Elfrida is a famous novelist who hasn’t written a book for ten years, and passes her days as an accomplished secret alcoholic. It doesn’t help that the literary world described her as the new Virginia Woolf, an author she feels she has little in common with. When she comes up with the idea of writing a novel about the last day in Virginia Woolf’s life, she’s suddenly on fire again. But can she get on top of her drinking?
…and she soon stood on the high embankment looking down on the slow-moving stream, wondering if this were perhaps the actual point where Virginia had filled her coat pocket with a heavy stone and then waded in. Where had she learned that fact about the stone? She searched her memory. That’s right: Enid Bagnold had told her at a party years ago.
Boyd explores each of these characters’ flaws, foibles and secrets, yet I found each of them oddly likeable. He captures them at a time of crisis in their lives and keeps pouring on the pressure. This makes the story gallop along together with the lengths each of them go to maintain their secrets. Bubbling underneath is a gentle wry humour, particularly with Talbot and Elfrida, a kind of world-weariness English characters sometimes have, as if they are on the outside of themselves looking in.
Of course, Boyd is happy to throw barbs at the self-important figures that people the film and literary worlds. There’s also the frivolity of life in Britain in 1968 while across the channel the student riots were on the go and political change in the air. Name dropping of well-known writers and entertainers adds to the fun. But there are serious issues that each character has to struggle with, making this an amusing but also a very satisfying novel. But with William Boyd I wouldn’t have expected anything less. A four and a half out of five read from me.