This novel is the third in the Nina Borg series which began with The Boy in the Suitcase. It’s also the only one I have read. Oh, no, nags the little voice in my head – you should read them all in order! Stilling the little voice, I was soon engrossed in this engaging example of Danish noir.
Nina Borg is a nurse who has worked in some dangerous places in her role with the Red Cross. Now she’s working at a Copenhagen refugee camp, where she feels driven to save those who have fled some horrific situations in their countries of birth. Her tendency to disregard her own personal safety has meant that now she’s cut off from her husband and children and living in a dreary flat. There’s a large digital clock on the wall which triggers thoughts about what her children might be doing at any time in the day.
Nina is one of those characters you want to shout at. She’s always going it alone. ‘Call the police!’ you want to scream. ‘Get some help.’ You can see how her commitment to wanting to help people drives her. But being a maverick sleuth can be lonely. Sometimes she brings home a Swedish doctor colleague for the night, who’s also a bit lonely, but this only makes her seem even more solitary. Already, she’s an interesting main character before we even get to the story.
Flip to Natasha – a runaway from Ukraine, wanted by police at home in connection with the death of her husband, and now in Copenhagen for the death of her fiancé who is a bit of a thug with an eye for her young daughter. It’s not surprising Natasha lashed out. But somehow now he’s dead. Natasha is desperate and being on the run in a Danish winter notches up the tension. Nina is concerned because Natasha’s daughter, Rina, is very sick and isn’t doing well away from her mother. Will Natasha risk everything to see her daughter? The authorities are alert to her possible return, but somebody else is too – somebody who might wish her dead.
There’s a police officer on the case who teams up with Nina when Rina’s safety is compromised. The story also switches back to 1930’s USSR where two young girls live in a village, battling hunger and the difficulty of being a good Soviet citizen. The book captures the period following the great famine when families struggled to feed their children, and hoarding food was an offence that would see you off to the gulags, or worse.
So Death of a Nightingale has plenty of threads in a complex storyline, peopled with a large cast of characters and some interesting twists. How the grim backstory has left its mark on Natasha and her countrymen keeps the reader guessing, and isn’t made clear until the end. But before we get remotely close to that revelation, there’s plenty of action and dicing with death.
I’m glad I picked this one up, even if it is number three in a series of four. The characters are vividly drawn and the story keeps you on your toes. The scenes in Soviet Russia make for sobering reading and remind you how terrible state-led indoctrination can be with repercussions that last a lifetime. I did find the final scenes a little rushed and the complications around the point where the past catches up to the present could have been clearer. Yes, I shall probably check in with Nina Borg again, but I’m not in any hurry. A three-and-a-half out four read from me.
Judith McKinnon 