The Distance Between Us is the third novel I’ve read by this author – it’s an old one too, published in 2004. Like her last two novels, this one has characters dashing about, jumping on planes and trains and rushing off to places new, or old. Possibly this is because O’Farrell throws them into difficult situations where the past has a way of catching up with them.
Jake is caught up in a crush during a Hong Kong parade for Chinese New Year and injured, the girl he’s dating almost killed. As she lies in hospital and everyone expects her to die, Jake agrees to a deathbed marriage. Somehow she pulls through and the two return to England, where Jake has never lived, and the pressure to start married life together scares him into a search for his missing dad. All he’s got to go by is his name – Kildoune, near Aviemore, the place where his transient, hippy dad came from.
Stella also makes a dash for Scotland, panicked by the sight of a tall, ginger-haired man on a London bridge. She leaves a good job in radio, her flat, everything. She doesn’t even tell Nina her sister, who is like a twin, but not. Nina seems like a stalker, the way she is always checking up on her sister, phoning at work, at home, asking questions about what she’s up to, what her plans are. Continue reading “Book Review: The Distance Between Us by Maggie O’Farrell”
The last time I read a novel by this author, it was set in the world of art dealing and gallery exhibitions (The Gallery of Vanished Husbands). No points for guessing that this book has music as its background, the song collector of the title being Harry Fox-Talbet, a composer. The story is told over two time periods, the first just after World War Two, as Harry, his brothers, Jack and George, return with their father to the family mansion that had been requisitioned by the army for the duration.
Rebecca Kauffman’s second novel reminds me a little of Elizabeth Strout’s fiction (Olive Kitteridge, My Name Is Lucy Barton …). Perhaps it’s because 
A few pages into this book, you know you are in the hands of an Irish author. It’s got that chatty, let’s sit down and tell you a story manner that you often get with Irish authors. The first-person narration also helps, but most of all it’s that rambly, discursive but hugely entertaining style of writing that draws you in and won’t let go, even when the book is five hundred pages long, and could have been around 350. Maybe.
When my aunt died and we all met back at her house following the memorial service, of course, I prowled her bookshelves. She had quite a collection, having been for many years a speech and remedial reading teacher. In her living room were all the classics, in smart hard-cover editions, and I have no doubt she’d read them all, often. But in her bedroom was a whole shelf of Nora Roberts and another of Katie Fforde.
Closed Casket 
An author I’ve picked up fairly consistently over the years is Tracey Chevalier, who writes historical novels – you may remember The Girl with a Pearl Earring, which was made into a movie. Her books are usually a fairly light, engaging read, but she has a knack of digging out a very human story from an often overlooked corner of history.
When I went on holiday recently, I packed an assortment of books knowing I would have a few quiet hours away from the Internet and Netflix. I usually like to include an old favourite – you don’t want anything that will be too hard to get into on holiday – and that usually means Anne Tyler, one or two Agatha Christies or a Jane Gardam.
Gosh, how do you begin to try and describe a book like this one? 
Judith McKinnon 